Conference paper Open Access

Bigram Editor: a score editor for the Bigram Notation

Andres Perez-Lopez; Pep Alcantara-Noalles; Bertrand Kientz


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  <dc:contributor>Battier, Marc</dc:contributor>
  <dc:contributor>Bresson, Jean</dc:contributor>
  <dc:contributor>Couprie, Pierre</dc:contributor>
  <dc:contributor>Davy-Rigaux, Cécile</dc:contributor>
  <dc:contributor>Fober, Dominique</dc:contributor>
  <dc:contributor>Geslin, Yann</dc:contributor>
  <dc:contributor>Genevois, Hugues</dc:contributor>
  <dc:contributor>Picard, François</dc:contributor>
  <dc:contributor>Tacaille, Alice</dc:contributor>
  <dc:creator>Andres Perez-Lopez</dc:creator>
  <dc:creator>Pep Alcantara-Noalles</dc:creator>
  <dc:creator>Bertrand Kientz</dc:creator>
  <dc:date>2015-05-28</dc:date>
  <dc:description>The Bigram Notation is an alternative approach to musical notation, based on the chromatic nature of Western music. As observed historically with alternative notation systems, their spread and consolidation is based on the existence of complementary and supportive tools, as ideosyncratic instruments and specific written material. Accordingly, we present the binary keyboards and the Bigram Editor, a graphical bigram score editor with automatic transcription and reproduction capabilities</dc:description>
  <dc:identifier>https://zenodo.org/record/923759</dc:identifier>
  <dc:identifier>10.5281/zenodo.923759</dc:identifier>
  <dc:identifier>oai:zenodo.org:923759</dc:identifier>
  <dc:publisher>Institut de Recherche en Musicologie</dc:publisher>
  <dc:relation>doi:10.5281/zenodo.923758</dc:relation>
  <dc:relation>url:https://zenodo.org/communities/tenor</dc:relation>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>https://creativecommons.org/licenses/by/4.0/legalcode</dc:rights>
  <dc:title>Bigram Editor: a score editor for the Bigram Notation</dc:title>
  <dc:type>info:eu-repo/semantics/conferencePaper</dc:type>
  <dc:type>publication-conferencepaper</dc:type>
</oai_dc:dc>
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