Conference paper Open Access

GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments Through Iconicity and Conceptual Metaphor

Dom Brown; Chris Nash; Tom Mitchell


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{
  "description": "(Abstract to follow)", 
  "license": "https://creativecommons.org/licenses/by/4.0/legalcode", 
  "creator": [
    {
      "@type": "Person", 
      "name": "Dom Brown"
    }, 
    {
      "@type": "Person", 
      "name": "Chris Nash"
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    {
      "@type": "Person", 
      "name": "Tom Mitchell"
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  ], 
  "headline": "GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments Through Iconicity and Conceptual Metaphor", 
  "image": "https://zenodo.org/static/img/logos/zenodo-gradient-round.svg", 
  "datePublished": "2016-08-31", 
  "url": "https://zenodo.org/record/851193", 
  "@type": "ScholarlyArticle", 
  "contributor": [
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      "@type": "Person", 
      "name": "Rolf Gro\u00dfmann"
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    {
      "@type": "Person", 
      "name": "Georg Hajdu"
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  "@context": "https://schema.org/", 
  "identifier": "https://doi.org/10.5281/zenodo.851193", 
  "@id": "https://doi.org/10.5281/zenodo.851193", 
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    "alternateName": "SMC2016", 
    "location": "Hamburg, Germany", 
    "@type": "Event", 
    "name": "13th Sound and Music Computing Conference"
  }, 
  "name": "GestureChords: Transparency in Gesturally Controlled Digital Musical Instruments Through Iconicity and Conceptual Metaphor"
}
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