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Kim są polscy humaniści cyfrowi?

Maryl, Maciej


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        <foaf:name>Maryl, Maciej</foaf:name>
        <foaf:givenName>Maciej</foaf:givenName>
        <foaf:familyName>Maryl</foaf:familyName>
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    <dct:title>Kim są polscy humaniści cyfrowi?</dct:title>
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    <dct:issued rdf:datatype="http://www.w3.org/2001/XMLSchema#gYear">2017</dct:issued>
    <dcat:keyword>digital humanities</dcat:keyword>
    <dcat:keyword>humanistyka cyfrowa</dcat:keyword>
    <dcat:keyword>Digital Methods and Practices Observatory</dcat:keyword>
    <dcat:keyword>DiMPO</dcat:keyword>
    <dcat:keyword>DARIAH</dcat:keyword>
    <dcat:keyword>digitalisation</dcat:keyword>
    <dcat:keyword>methodology</dcat:keyword>
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    <dct:description>&lt;p&gt;Who Are Polish Digital Humanists?&lt;br&gt; To sketch a profile of Polish digital humanists, Maryl draws on the results of a European&lt;br&gt; survey on scholarly practices and digital needs in the arts and humanities. This survey&lt;br&gt; was conducted in 2014 and 2015 by the Digital Methods and Practices Observatory&lt;br&gt; (DiMPO), a working group of the European consortium DARIAH. The results are analysed&lt;br&gt; in the context of the concept of waves of digital humanities: the first wave is simple&lt;br&gt; digitization, the second entails the use of advanced digital methods, the third harnesses&lt;br&gt; critical reflection on the epistemology of digital instruments. Maryl proposes to classify&lt;br&gt; digital humanists by placing them on different points on a spectrum, from those using&lt;br&gt; basic tools to the most advanced users.&lt;/p&gt;</dct:description>
    <dct:description>Artykuł napisany w ramach prac Digital Methods and Practices Observatory (DiMPO), Grupy Roboczej DARIAH-ERIC. Dziękuję Nephelie Chatzidiakou (Digital Curation Unit, IMIS-Athena Research Centre) za wstępne przetworzenie wyników.</dct:description>
    <dct:description>{"references": ["Werla, M., Maryl, M., oprac. (2014) Humanistyczne projekty cyfrowe w Polsce (raport z ankiety), Pozna\u0144-Warszawa. DOI: 10.5281/zenodo.437438", "Maryl, M. (2014) \"F5: od\u015bwie\u017canie filologii Teksty Drugie 2 (146): 9-20.", "Anne Burdick, Johanna Drucker, Peter Lunenfeld, Todo Presner, Jeffrey Schnapp (2012) Digital_Humanities, The MIT Press, Cambridge.", "Todd Presner, Digital Humanities 2.0: A Report on Knowledge. OpenStax CNX. 8 cze 2010 http://cnx.org/contents/2742bb37-7c47-4bee-bb34-0f35bda760f3@6", "Svensson, Patrik (2010) \"The Landscape of Digital Humanities\" Digital Humanities Quarterly 4.1 http://digitalhumanities.org:8081/dhq/vol/4/1/000080/000080.html", "Tara McPherson, \"Introduction: Media Studies and the Digital Humanities\". Cinema Journal 48:2 (Winter 2009), 119-120.", "Cathy N. Davidson \"Humanities 2.0: Promise, Perils, Predictions\". Publications of the Modern Language Association of America (PMLA) 123:3 (2008).", "David M. Berry, The Computational Turn: Thinking About the Digital Humanities, Culture Machine, vol. 12 (2011), https://www.culturemachine.net/index.php/cm/article/view/440/470.", "Richard Rogers, Digital methods. MIT press, 2013.", "Alan Liu, Where Is Cultural Criticism in the Digital Humanities, W Debates in the Digital Humanities, red. Matthew K. Gold, University of Minnesota Press, 2012.", "Daniel Allington, Sarah Brouillette, David Golumbia, Neoliberal Tools (and Archives): A Political History of Digital Humanities, Los Angeles Review of Books, May 1 2016 - https://lareviewofbooks.org/article/neoliberal-tools-archives-political-history-digital-humanities/#!", "Martyna Barczuk i Jerzy Tyszkiewicz \"Magik - nowoczesne narz\u0119dzie dla badacza literatury\", Teksty Drugie, 2007 nr 3 (105), s. 224-228.", "Costis Dallas, Nephelie Chatzidiakou, Maciej Maryl, Agiatis Bernardou, Claire Clivaz, John Cunningham, Meredith Dabek, i in. \"Europejski sonda\u017c praktyk cyfrowych w humanistyce i naukach o sztuce. Najwa\u017cniejsze wyniki (wersja Polska)\", prze\u0142. Maciej Maryl, 30 Pa\u017adziernika 2016. doi:10.5281/zenodo.259522."]}</dct:description>
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