Journal article Open Access

Max Eichenberger

Fuchs, Walther; Okuda, Osamu


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  <dc:creator>Fuchs, Walther</dc:creator>
  <dc:creator>Okuda, Osamu</dc:creator>
  <dc:date>2016-11-01</dc:date>
  <dc:description>Der Schweizer Galerist, Kunst­schriftsteller und Dichter Max Eichenberger (21.3.1902 – 19.1.1961) trug entscheidend dazu bei, dass das künstlerische Werk von Klee im Kreise der Pariser Surrealisten Verbreitung fand.</dc:description>
  <dc:identifier>https://zenodo.org/record/824919</dc:identifier>
  <dc:identifier>10.5281/zenodo.824919</dc:identifier>
  <dc:identifier>oai:zenodo.org:824919</dc:identifier>
  <dc:relation>doi:10.5281/zenodo.824918</dc:relation>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode</dc:rights>
  <dc:source>Zwitscher-Maschine. Journal on Paul Klee / Zeitschrift für Internationale Klee-Studien 2 99-103</dc:source>
  <dc:subject>Paris, Surrealismus, Paul Klee, Albert Daber, Rezeption</dc:subject>
  <dc:title>Max Eichenberger</dc:title>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:type>publication-article</dc:type>
</oai_dc:dc>
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