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Metropolis: Visual Dynamic and Democratic Ideals, edited by Christiane Wagner

Christiane Wagner; Omar Cerrillo Garnica; Katarina Andjelkovic; Brandon Sward; Piper Prolago; Vera Ustyugova; Mariya Mingaleva; Idah Razafindrakoto; Melis Avkiran; Martina Sauer

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  <identifier identifierType="DOI">10.5281/zenodo.6377143</identifier>
      <creatorName>Christiane Wagner</creatorName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0002-3445-1446</nameIdentifier>
      <affiliation>University of São Paulo</affiliation>
      <creatorName>Omar Cerrillo Garnica</creatorName>
      <affiliation>Instituto Tecnológico y de Estudios Superiores de Monterrey</affiliation>
      <creatorName>Katarina Andjelkovic</creatorName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0001-8266-748X</nameIdentifier>
      <affiliation>University of Belgrad</affiliation>
      <creatorName>Brandon Sward</creatorName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0002-7861-4569</nameIdentifier>
      <affiliation>The University of Chicago</affiliation>
      <creatorName>Piper Prolago</creatorName>
      <affiliation>University of Tulsa</affiliation>
      <creatorName>Vera Ustyugova</creatorName>
      <affiliation>Perm State University</affiliation>
      <creatorName>Mariya Mingaleva</creatorName>
      <affiliation>Perm State University</affiliation>
      <creatorName>Idah Razafindrakoto</creatorName>
      <affiliation>Pan-African University</affiliation>
      <creatorName>Melis Avkiran</creatorName>
      <affiliation>Ruhr- University Bochum (</affiliation>
      <creatorName>Martina Sauer</creatorName>
      <affiliation>AMD Akademie Mode &amp; Design</affiliation>
    <title>Metropolis: Visual Dynamic and Democratic Ideals, edited by Christiane Wagner</title>
    <subject>Aesthetics, politics, city, cinematography, architecture, visual arts</subject>
    <date dateType="Issued">2021-09-16</date>
  <resourceType resourceTypeGeneral="Text">Other</resourceType>
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    <relatedIdentifier relatedIdentifierType="URL" relationType="IsDerivedFrom">https://artstyle.international/issue-8/</relatedIdentifier>
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  <version>Special Edition</version>
    <rights rightsURI="https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode">Creative Commons Attribution Non Commercial Share Alike 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
    <description descriptionType="Abstract">&lt;p&gt;For more information about the board, please click on&amp;nbsp;&lt;a href="https://artstyle.international/editorial-team/"&gt;Editorial Team&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href="https://artstyle.international/art-style-magazines-scientific-committee/"&gt;&lt;em&gt;Art Style Magazine&lt;/em&gt;&amp;rsquo;s Scientific&amp;nbsp;Committee&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;&lt;a href="https://artstyle.international/"&gt;Art Style, Art &amp;amp; Culture International Magazine&lt;/a&gt;&lt;/em&gt;&amp;nbsp;is&amp;nbsp;an&amp;nbsp;open&amp;nbsp;access,&amp;nbsp;biannual, and peer-reviewed online&amp;nbsp;magazine that aims to bundle cultural diversity.&amp;nbsp;All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of socio-cultural, historical, and market influence. Thus, there are different forms of visual expression and perception through the media and environment. The images relate to the cultural changes and their time-space significance&amp;mdash;the spirit of the time. Hence, it is not only about the image itself and its description but rather its effects on culture, in which reciprocity is involved. For example, a variety of visual narratives&amp;mdash;like movies, TV shows, videos, performances, media, digital arts, visual technologies and video game as part of the video&amp;rsquo;s story, communications design, and also, drawing, painting, photography, dance, theater, literature, sculpture, architecture and design&amp;mdash;are discussed in their visual significance as well as in synchronization with music in daily interactions. Moreover, this magazine handles images and sounds concerning the meaning in culture due to the influence of ideologies, trends, or functions for informational purposes as forms of communication beyond the significance of art and its issues related to the socio-cultural and political context. However, the significance of art and all kinds of aesthetic experiences represent a transformation for our nature as human beings.&lt;/p&gt;

&lt;p&gt;In general, questions concerning the meaning of art are frequently linked to the process of perception and imagination. This process can be understood as an aesthetic experience in art, media, and fields such as motion pictures, music, and many other creative works and events that contribute to one&amp;rsquo;s knowledge, opinions, or skills. Accordingly, examining the digital technologies, motion picture, sound recording, broadcasting industries, and its social impact, Art Style Magazine focuses on the myriad meanings of art to become aware of their effects on culture as well as their communication dynamics.&lt;/p&gt;</description>
    <description descriptionType="Other">Publishing in Art Style Magazine is free of charge for anyone, there are no article processing charges or other publication fees (see Terms and Conditions). Art Style Magazine is independent and supports the Open Access Movement. Also, it is following what is recommended in international guidelines of the Berlin Declaration on Open Access to Knowledge in the Sciences and Humanities. All works published by Art Style Magazine are available under a Creative Commons Attribution License (CC BY-NC-SA 4.0). For the Art Style Magazine, user license permitted 3rd party reuse is only applicable for non-commercial purposes. Art Style Magazine outlines the best practice principles for our publications. We defend the best practices in our publications and follow top institutions' directions on teaching, science, and research worldwide. With this practice, we wish to remember the fundamental values of recognition of merit and the originality of researchers and authors. Therefore, we present here the central notions of good conduct and research publishing ethics, based on the Committee on Publication Ethics (COPE), the United States National Science Foundation's policies and procedures, the European Science Foundation's code of conduct, and the FAPESP São Paulo Research Foundation's code of good scientific practice.</description>
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