March 11, 2021 Journal article Open Access

Yael Young

MARC21 XML Export

<?xml version='1.0' encoding='UTF-8'?>
<record xmlns="http://www.loc.gov/MARC21/slim">
  <leader>00000nam##2200000uu#4500</leader>
  <datafield tag="041" ind1=" " ind2=" ">
    <subfield code="a">eng</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Affordances, Athenian Iconography, Representations, System Function</subfield>
  </datafield>
  <controlfield tag="005">20220321014917.0</controlfield>
  <datafield tag="500" ind1=" " ind2=" ">
    <subfield code="a">Art Style, Art &amp;amp; Culture International Magazine is an open-access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, art is considered the significance of socio-cultural, historical, and market influence.</subfield>
  </datafield>
  <controlfield tag="001">6371537</controlfield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="s">40891338</subfield>
    <subfield code="z">md5:3dd6e60190c8d5ea7e041633447cd9ca</subfield>
    <subfield code="u">https://zenodo.org/record/6371537/files/Yael_ART_STYLE_ISSUE_7_[159-179].pdf</subfield>
  </datafield>
  <datafield tag="542" ind1=" " ind2=" ">
    <subfield code="l">open</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="c">2021-03-11</subfield>
  </datafield>
  <datafield tag="909" ind1="C" ind2="O">
    <subfield code="p">openaire</subfield>
    <subfield code="o">oai:zenodo.org:6371537</subfield>
  </datafield>
  <datafield tag="909" ind1="C" ind2="4">
    <subfield code="c">159-179</subfield>
    <subfield code="n">7</subfield>
    <subfield code="p">Art Style, Art &amp; Culture International Magazine</subfield>
    <subfield code="v">7</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="u">the Open University and Shenkar College of Engineering, Design and Art</subfield>
    <subfield code="a">Yael Young</subfield>
  </datafield>
  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">The Representation of Pointed Amphorae in Athenian Vase Paintings: An Iconographic Study</subfield>
  </datafield>
  <datafield tag="540" ind1=" " ind2=" ">
    <subfield code="u">https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode</subfield>
    <subfield code="a">Creative Commons Attribution Non Commercial Share Alike 4.0 International</subfield>
  </datafield>
  <datafield tag="650" ind1="1" ind2="7">
    <subfield code="a">cc-by</subfield>
    <subfield code="2">opendefinition.org</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">&lt;p&gt;&lt;a href="https://artstyle.international/"&gt;Art Style | Art &amp;amp; Culture International Magazine&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Abstract&lt;/p&gt;

&lt;p&gt;The article examines a group of images on Athenian ceramic vases in which pointed amphorae are depicted in various usages. This iconography appears primarily in the contexts of both the symposium and the komos, whose participants, along with members of the Dionysian thiasos, are shown sitting, leaning, playing, beating, and masturbating with this vessel. The utilization of this specific mundane object in such a manner is explored in light of psychologist James J. Gibson&amp;rsquo;s term &amp;rsquo;affordance&amp;rsquo;, which refers to the potentialities held by an object for a particular set of actions, stemming from its material properties. Two additional terms, discussed by Beth Preston, that may help in analyzing the images are &amp;lsquo;proper function&amp;rsquo; referring to the normative usage of objects, and &amp;lsquo;system function&amp;rsquo;, referring to the unorthodox usage of objects. The affordances of the amphora, stemming from its shape and material and the inherent potentialities for action, are perceived and exploited by the users. Though not from the outset designed as a chair, a toy, or a sexual device, in the hands of these figures and within the specific space of the symposium and the komos, the ordinary pointed amphora takes on those functions. Thanks to the Athenian vase painters, we are able to register and visualize latent affordances of the amphora that previously lay out of sight. It seems that in the context of the Athenian symposium and komos, what matters is the possibilities for action and that they be stretched to the maximum.&lt;/p&gt;</subfield>
  </datafield>
  <datafield tag="773" ind1=" " ind2=" ">
    <subfield code="n">gnd</subfield>
    <subfield code="i">isDerivedFrom</subfield>
    <subfield code="a">gnd:2596-1810 (ISSN)</subfield>
  </datafield>
  <datafield tag="773" ind1=" " ind2=" ">
    <subfield code="n">url</subfield>
    <subfield code="i">isDerivedFrom</subfield>
    <subfield code="a">https://artstyle.international</subfield>
  </datafield>
  <datafield tag="773" ind1=" " ind2=" ">
    <subfield code="n">url</subfield>
    <subfield code="i">isDerivedFrom</subfield>
    <subfield code="a">https://artstyle.international/issue-7/</subfield>
  </datafield>
  <datafield tag="773" ind1=" " ind2=" ">
    <subfield code="n">doi</subfield>
    <subfield code="i">isVersionOf</subfield>
    <subfield code="a">10.5281/zenodo.4589495</subfield>
  </datafield>
  <datafield tag="024" ind1=" " ind2=" ">
    <subfield code="a">10.5281/zenodo.6371537</subfield>
    <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="980" ind1=" " ind2=" ">
    <subfield code="a">publication</subfield>
    <subfield code="b">article</subfield>
  </datafield>
</record>