Journal article Open Access
Audrey Gouy
<?xml version='1.0' encoding='utf-8'?> <resource xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://datacite.org/schema/kernel-4" xsi:schemaLocation="http://datacite.org/schema/kernel-4 http://schema.datacite.org/meta/kernel-4.1/metadata.xsd"> <identifier identifierType="DOI">10.5281/zenodo.6323278</identifier> <creators> <creator> <creatorName>Audrey Gouy</creatorName> <affiliation>University of Lille</affiliation> </creator> </creators> <titles> <title>Gendered Adornment and Dress Soundscape in Etruscan Dance</title> </titles> <publisher>Zenodo</publisher> <publicationYear>2022</publicationYear> <subjects> <subject>Dance</subject> <subject>Etruria</subject> <subject>Iconography</subject> <subject>Ritual</subject> <subject>Dress</subject> <subject>Jewellery</subject> </subjects> <dates> <date dateType="Issued">2022-03-02</date> </dates> <language>en</language> <resourceType resourceTypeGeneral="JournalArticle"/> <alternateIdentifiers> <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/6323278</alternateIdentifier> </alternateIdentifiers> <relatedIdentifiers> <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.6323277</relatedIdentifier> </relatedIdentifiers> <version>Draft</version> <rightsList> <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights> <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights> </rightsList> <descriptions> <description descriptionType="Abstract"><p>The aim of this article is to study the communicative potential of adornment in Etruria. The belts, bracelets, necklaces, earrings and diadems added to the male and female body highlighted, shaped and performed a gender, an identity and a status. But they also could blur, transform and reverse gender, identity and status, especially in the context of ritual performances. Consequently, the ritual use and the symbolic function of adornment in various types of performances will also be explored. The analysis is based on Central Etruria visual evidences of dance from 6<span>th&nbsp;</span>and 5<span>th&nbsp;</span>centuries BCE.</p></description> </descriptions> <fundingReferences> <fundingReference> <funderName>European Commission</funderName> <funderIdentifier funderIdentifierType="Crossref Funder ID">10.13039/100010661</funderIdentifier> <awardNumber awardURI="info:eu-repo/grantAgreement/EC/H2020/839799/">839799</awardNumber> <awardTitle>TEXtiles in Etruscan DANCE (8th-5th centuries BC)</awardTitle> </fundingReference> </fundingReferences> </resource>
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