Presentation Open Access
Schöch, Christof
<?xml version='1.0' encoding='utf-8'?> <resource xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://datacite.org/schema/kernel-4" xsi:schemaLocation="http://datacite.org/schema/kernel-4 http://schema.datacite.org/meta/kernel-4.1/metadata.xsd"> <identifier identifierType="DOI">10.5281/zenodo.61434</identifier> <creators> <creator> <creatorName>Schöch, Christof</creatorName> <givenName>Christof</givenName> <familyName>Schöch</familyName> <affiliation>University of Würzburg</affiliation> </creator> </creators> <titles> <title>Spitzer on Racine, digitally revisited</title> </titles> <publisher>Zenodo</publisher> <publicationYear>2016</publicationYear> <subjects> <subject>Leo Spitzer</subject> <subject>Jean Racine</subject> <subject>Literary Studies</subject> <subject>French Studies</subject> <subject>Tragedy</subject> <subject>Style</subject> <subject>Replication</subject> </subjects> <dates> <date dateType="Issued">2016-09-02</date> </dates> <resourceType resourceTypeGeneral="Text">Presentation</resourceType> <alternateIdentifiers> <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/61434</alternateIdentifier> </alternateIdentifiers> <rightsList> <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights> <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights> </rightsList> <descriptions> <description descriptionType="Abstract"><p>This paper revisits, with today&#39;s digital corpora and computational methods of text analysis, L&eacute;o Spitzer&#39;s famous stylistic reading of the tragedies of French seventeenth-century author Jean Racine [1]. Spitzer&#39;s analysis was first published in 1928 and richly illustrates the manifestations of a &quot;dampening effect&quot; (&quot;effet de sourdine&quot;) which Spitzer claims is characteristic of Racine&#39;s poetic style. The present attempt to reimplement Spitzer&#39;s study reveals new insights not only into Racine&#39;s style, but also into the respective strengths and limitations of both approaches to stylistic analysis and to the contrasting notions of style which underpin them [2].</p> <p>References:<br /> * Spitzer, Leo. &bdquo;Die klassische D&auml;mpfung in Racines Stil&ldquo; [1928]. In: Romanische Stil- und Literaturstudien I, Marburg: Elwert, 1931, 135-268.<br /> * L&eacute;o Spitzer, &quot;L&#39;effet de sourdine dans le style classique: Racine&quot;, &Eacute;tudes de style. Paris: Gallimard, 1970, p. 208-335.<br /> * J. Berenike Herrmann, Karina van Dalen-Oskam und Christof Sch&ouml;ch, &bdquo;Revisiting Style, a Key Concept in Literary Studies&ldquo;, Journal of Literary Theory, vol. 9, no. 1, p. 25-52, 2015.<br /> * Rockwell, Geoffrey. &bdquo;Replication as a way of knowing in the digital humanities&ldquo;. Vortrag, Universit&auml;t W&uuml;rzburg, 27. April 2016.</p> <p>&nbsp;</p> <p>&nbsp;</p></description> </descriptions> </resource>
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