October 12, 2021 Conference paper Open Access

Rita Gradim; Pedro Duarte Pestana

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  <identifier identifierType="DOI">10.5281/zenodo.5564521</identifier>
  <creators>
    <creator>
      <creatorName>Rita Gradim</creatorName>
      <affiliation>CITAR – Research Center for the Science and Technology of the Arts, Catholic Portuguese University</affiliation>
    </creator>
    <creator>
      <creatorName>Pedro Duarte Pestana</creatorName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0002-3406-1077</nameIdentifier>
      <affiliation>CITAR – Research Center for the Science and Technology of the Arts, Catholic Portuguese University</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Overview of Generative Processes in the work of Brian Eno</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2021</publicationYear>
  <dates>
    <date dateType="Issued">2021-10-12</date>
  </dates>
  <resourceType resourceTypeGeneral="ConferencePaper"/>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/5564521</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.5564520</relatedIdentifier>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/ubimus</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;Brian Eno is a famous a musician, producer and artist known for his endeavors in rock music who has devoted the latter part of his career to ambient and generative work. There are a few publications regarding his work (Albiez &amp;amp; Pattie, 2016; Sheppard, 2009; Tamm, 1988), but they do not focus exclusively on his generative processes. The only paper that details Eno&amp;rsquo;s generative music only addresses the concepts of generative music and describes Eno&amp;rsquo;s apps (Marshall &amp;amp; Loydell, 2017). The paper focuses more on his apps and it does not present a detailed correlation between his background/ influences to his work. This paper bridges that specific gap, by detailing Eno&amp;rsquo;s school background, his influences, generative processes and how he moved on from traditional to more technological approaches.&lt;/p&gt;</description>
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