Journal article Open Access

Die Serie der »Selbstbildnisse« im Jahr 1919 von Paul Klee

Kakinuma, Marie

MARC21 XML Export

<?xml version='1.0' encoding='UTF-8'?>
<record xmlns="">
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Paul Klee, Self Portrait, 1919, The Thinker,</subfield>
  <controlfield tag="005">20200120173006.0</controlfield>
  <controlfield tag="001">467991</controlfield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="s">8296446</subfield>
    <subfield code="z">md5:0379e173b767e5ae38800fda96309113</subfield>
    <subfield code="u"></subfield>
  <datafield tag="542" ind1=" " ind2=" ">
    <subfield code="l">open</subfield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="c">2017-04-03</subfield>
  <datafield tag="909" ind1="C" ind2="O">
    <subfield code="p">openaire</subfield>
    <subfield code="p">user-zwitschermaschine</subfield>
    <subfield code="o"></subfield>
  <datafield tag="909" ind1="C" ind2="4">
    <subfield code="c">22 - 32</subfield>
    <subfield code="n">Spring</subfield>
    <subfield code="p">Zwitscher - Maschine: Journal on Paul Klee / Zeitschrift für internationale Klee - Studien</subfield>
    <subfield code="v">3</subfield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="a">Kakinuma, Marie</subfield>
  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">Die Serie der »Selbstbildnisse« im Jahr 1919 von Paul Klee</subfield>
  <datafield tag="980" ind1=" " ind2=" ">
    <subfield code="a">user-zwitschermaschine</subfield>
  <datafield tag="540" ind1=" " ind2=" ">
    <subfield code="u"></subfield>
    <subfield code="a">Creative Commons Attribution Non Commercial No Derivatives 4.0 International</subfield>
  <datafield tag="650" ind1="1" ind2="7">
    <subfield code="a">cc-by</subfield>
    <subfield code="2"></subfield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">&lt;p&gt;In trying to define a new artistic orientation after the First World War, in May 1919, Klee worked in a more concentrated fashion than ever before on self-portraits. The ensuing series of self-portraits includes the well known &lt;em&gt;Thinking Artist&lt;/em&gt;, &lt;em&gt;Feeling Artist&lt;/em&gt;, &lt;em&gt;Pondering Artist&lt;/em&gt;, &lt;em&gt;Creating Artist&lt;/em&gt; and &lt;em&gt;Absorption&lt;/em&gt;. In the present text, not only these works, which have been discussed in the Klee literature previously will be considered, but also the subsequently registerd works in Klees Œuvrelkatalog&lt;em&gt;, Mask&lt;/em&gt; and &lt;em&gt;Mister Sol&lt;/em&gt; and its verso image »self-portrait«, which can be regarded in an extended sense as allegories of the artist. Through a comparison of &lt;em&gt;Absorption&lt;/em&gt; to &lt;em&gt;Mister Sol&lt;/em&gt;, as well as the verso image »self-portrait«, it will be shown how Klee deepened the exploration of his self and how he visualized this. This analysis of the recto-verso picture &lt;em&gt;Mister Sol&lt;/em&gt; throws a new light on the understanding of the series of self-portraits of 1919.&lt;/p&gt;</subfield>
  <datafield tag="024" ind1=" " ind2=" ">
    <subfield code="a">10.5281/zenodo.467991</subfield>
    <subfield code="2">doi</subfield>
  <datafield tag="980" ind1=" " ind2=" ">
    <subfield code="a">publication</subfield>
    <subfield code="b">article</subfield>
All versions This version
Views 154154
Downloads 107107
Data volume 887.7 MB887.7 MB
Unique views 148148
Unique downloads 9797


Cite as