Loertscher Miriam
Gerber Thomas
Mahler Marius
Weibel David
Iseli Christian
2020-11-30
<p>Two short feature films were recorded with a virtual background by using a green screen in a film studio and previously scanned 3D spaces in a virtual production environment and conventionally (in the corresponding real spaces) to compare the aesthetics and perception of these films. One scene of each film is shown in two variants (real vs. virtual background) to make a comparison.</p>
<p>These quicktime movie represent the Eye-Tracking Data for Scenes 1,2 and 3 of "Sonnenwende" (2019) by Timo von Gunten in beeswarm form for both the real and the virtual version of the film.</p>
<p>Virtually Real is a research project by the Zurich University of the Arts, Institute for the Performing Arts and Film and the University of Bern, Institute of Psychology.</p>
https://doi.org/10.5281/zenodo.4432475
oai:zenodo.org:4432475
Zenodo
https://doi.org/10.5281/zenodo.4432418
https://zenodo.org/communities/zhdk
https://doi.org/10.5281/zenodo.4432474
info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
virtual production film technology virtual filmmaking film aesthetics. immersion presence
Virtually Real eyetracking data (beeswarm) for the short film "Sonnenwende" (2019) byTimo von Gunten
info:eu-repo/semantics/other