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The title character of Hitchcock’s film Marnie (1964) has previously been interpreted as a repressed heterosexual or a closeted lesbian. However, as this paper will argue, it is more logical to read her as asexual. Interpreting her character as such, it becomes clear that the film presents a discursive framework based on compulsory sexuality. Most notably, Marnie’s lack of interest in sex is seen as a symptom of a childhood trauma, rather than as a sexual orientation in itself. This paper will therefore explore how the film links asexuality to trauma by means of the concept of repression, and thus deconstruct compulsory sexuality as the film presents it.
", "publication_date": "2017-07-04", "publisher": "Zenodo", "resource_type": { "id": "publication-article", "title": { "de": "Zeitschriftenartikel", "en": "Journal article" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "subjects": [ { "subject": "asexuality" }, { "subject": "trauma" }, { "subject": "Hitchcock" }, { "subject": "psychoanalysis" } ], "title": "\"You Freud, Me Jane?\" The Representation of Trauma and Asexuality in Hitchcock's Marnie" }, "parent": { "access": { "owned_by": { "user": 149613 } }, "communities": { "default": "1ee8817e-43f6-43f1-b6fb-1eae2f21b633", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2020-11-16T10:02:44.583825+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "1ee8817e-43f6-43f1-b6fb-1eae2f21b633", "links": {}, "metadata": { "curation_policy": "In this community you can find all content published in Digressions: Amsterdam Journal of Critical Theory, Cultural Analysis, and Creative Writing.
\r\n", "page": "Digressions: Amsterdam Journal of Critical Theory, Cultural Analysis, and Creative Writing is a student-edited academic journal based at Vrije Universiteit Amsterdam. We publish articles on critical theory and cultural analysis; reviews of books, films, and art exhibitions; and creative writing. This way, we aim to provide a platform for talented master’s, research master’s, and Ph.D. students as well as recent graduates to share their research and writing.
\r\n\r\nVolume 4, Issue 2 (2020)
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Volume 4, Issue 1 (2020): Comics Studies
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Volume 3, Issue 2 (2019): The “Failing” Body
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Volume 3, Issue 1 (2018)
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Volume 2, Issue 2 (2017)
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Volume 2, Issue 1 (2016)
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Volume 1, Issue 2 (2016)
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Volume 1, Issue 1 (2015): The Undead
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