August 3, 2020 Journal article Open Access

Lourdes Monterrubio Ibáñez

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{
  "inLanguage": {
    "alternateName": "eng", 
    "@type": "Language", 
    "name": "English"
  }, 
  "description": "<p>Rita Azevedo Gomes&#39; Correspond&ecirc;ncias (2016) draws on the epistolary correspondence between Sophia de Mello Breyner Andresen and Jorge de Sena, as well as their respective poetic works, to build an epistolary-poetic, audio-visual and sensory-emotional kaleidoscope based on their reading, reciting and representation in different languages. In this way, the filmmaker generates a kind of phenomenology of reception that uses all the audiovisual possibilities: the different formats, digital and analogue; their multiple&nbsp;textures; and the diverse options of the texts enunciation. The experimentation with their different combinations, also using various image and sound effects, materialises in an epistolary-poetic essay film which reflects on the aesthetic experience and attains a hybrid, complex image defining contemporary cinema: between person and character, diegesis and extradiegesis, digital and analogue images, voice-in and voiceover, private and public, life and work, present and past, absence and presence, that is, between reproduction and representation (Quintana, 2011). Azevedo&rsquo;s essayistic reflection on creation, exile and absence is generated through parataxic thinking (Catal&agrave;, 2014) and interstitial thinking (Rascaroli, 2017) that create dialectical and symbolic sentence-images (Ranci&egrave;re, 2003). Thus, Correspond&ecirc;ncias becomes an avant-garde expression of both contemporary epistolary cinema and contemporary essay film.</p>", 
  "license": "https://creativecommons.org/licenses/by/4.0/legalcode", 
  "creator": [
    {
      "@id": "https://orcid.org/0000-0003-0566-3666", 
      "@type": "Person", 
      "name": "Lourdes Monterrubio Ib\u00e1\u00f1ez"
    }
  ], 
  "headline": "Correspond\u00eancias by Rita Azevedo Gomes. The Complex Hybrid Image of Contemporary Epistolary Cinema and Contemporary Essay Film", 
  "image": "https://zenodo.org/static/img/logos/zenodo-gradient-round.svg", 
  "datePublished": "2020-08-03", 
  "url": "https://zenodo.org/record/4008326", 
  "version": "Accepted Manuscript", 
  "keywords": [
    "contemporary cinema", 
    "correspondence", 
    "poetry", 
    "essay film", 
    "cinematic thinking", 
    "hybridisation"
  ], 
  "@context": "https://schema.org/", 
  "identifier": "https://doi.org/10.1080/1472586X.2020.1771202", 
  "@id": "https://doi.org/10.1080/1472586X.2020.1771202", 
  "@type": "ScholarlyArticle", 
  "name": "Correspond\u00eancias by Rita Azevedo Gomes. The Complex Hybrid Image of Contemporary Epistolary Cinema and Contemporary Essay Film"
}