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This paper explores the application of the exception permitting quotation, first introduced into UK law in 2014, to film and television. It seeks to demonstrate that the concept of quotation is broad and thus that this exception offers much-needed flexibility to film-makers to utilise copyright-protected material without obtaining permission to do so. The paper explains some of the key limitations on the availability of the defence, in particular, the requirement of fair dealing (or use in accordance with fair practice) and sufficient acknowledgment (attribution). The significance of the exception is examined through three examples: Love is the Devil, Titanic and the art piece The Clock.
", "publication_date": "2020-07-30", "publisher": "Zenodo", "resource_type": { "id": "publication-workingpaper", "title": { "de": "Arbeitspapier", "en": "Working paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "title": "Copyright and Quotation in Film and TV" }, "parent": { "access": { "owned_by": { "user": 52542 } }, "communities": { "default": "3bce19f7-225f-44e8-a980-a02e12b80fb0", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2014-02-19T11:39:31+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "3bce19f7-225f-44e8-a980-a02e12b80fb0", "links": {}, "metadata": { "curation_policy": "", "page": "CREATe is the RCUK Centre for Copyright and New Business Models in the Creative Economy, based at the University of Glasgow. It is funded jointly by the Arts and Humanities Research Council (AHRC), Engineering and Physical Sciences Research Council (EPSRC) and the Economic and Social Research Council (ESRC). CREATe investigates the future of creative production in the digital age, and in particular the role of copyright.
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\r\nThe Centre brings together an interdisciplinary team of academics from law, economics, management, computer science, sociology, psychology, ethnography and critical studies within a consortium of seven UK universities (Glasgow, East Anglia, Edinburgh, Goldsmiths University of London, Nottingham, St Andrews, and Strathclyde), and over 80 industry, public sector and civil society partners.
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\r\nFor more details about CREATe, see http://www.create.ac.uk.