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You're Collating Just Fine and Other Lies You've Been Telling Yourself

Bordalejo, Barbara; Vázquez, Adam


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  <identifier identifierType="DOI">10.5281/zenodo.3949346</identifier>
  <creators>
    <creator>
      <creatorName>Bordalejo, Barbara</creatorName>
      <givenName>Barbara</givenName>
      <familyName>Bordalejo</familyName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0001-8255-0265</nameIdentifier>
      <affiliation>University of Saskatchewan</affiliation>
    </creator>
    <creator>
      <creatorName>Vázquez, Adam</creatorName>
      <givenName>Adam</givenName>
      <familyName>Vázquez</familyName>
      <nameIdentifier nameIdentifierScheme="ORCID" schemeURI="http://orcid.org/">0000-0001-9939-967X</nameIdentifier>
      <affiliation>University of Saskatchewan</affiliation>
    </creator>
  </creators>
  <titles>
    <title>You're Collating Just Fine and  Other Lies You've Been Telling Yourself</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2020</publicationYear>
  <subjects>
    <subject>Collation</subject>
    <subject>Textual Scholarship</subject>
    <subject>Stemmatics</subject>
    <subject>Digital Scholarly Editing</subject>
    <subject>Geoffrey Chaucer</subject>
    <subject>Manuscript Studies</subject>
    <subject>Textual Variation</subject>
    <subject>Stemmatology</subject>
    <subject>Canterbury Tales</subject>
    <subject>Divine Comedy</subject>
    <subject>Dante</subject>
    <subject>Greek New Testament</subject>
    <subject>Troilus and Criseyde</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2020-07-03</date>
  </dates>
  <resourceType resourceTypeGeneral="JournalArticle"/>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/3949346</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.3929917</relatedIdentifier>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/bbordalejo</relatedIdentifier>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/ctp</relatedIdentifier>
  </relatedIdentifiers>
  <version>Pre-print</version>
  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;Although textual scholars agree that collation is a crucial component of the editing process, it often goes undefined and only briefly explained. This article defines the term, explains different kinds of collation, and explores some of its applications. We emphasize stemmatology and medieval textual traditions. By drawing from editorial examples and the theoretical frameworks of projects centred on works such as the Canterbury Tales, Troilus and Criseyde, Dante&amp;rsquo;s Commedia and the Greek New Testament, the article seeks to compare manual and computer-assisted approaches to collation methods. We delineate the scope of this activity and argue that computer-assisted collation minimizes the risk of missing out on relevant data. We examine the advantages of full-text collation over sample collation and conclude that no decisions about stemmatically significant variation can be made a priory and that variant distribution is the major factor weighing on significance.&amp;nbsp;&lt;/p&gt;</description>
  </descriptions>
</resource>
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