3672954
doi
10.5281/zenodo.3672954
oai:zenodo.org:3672954
user-nime_conference
Gaugne, Ronan
Nouviale, Florian
Gouranton, Valerie
Bossis, Bruno
Expressive potentials of motion capture in musical performance
Bazoge, Nicolas
info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
The paper presents the electronic music performance project Vis Insita implementing the design of experimental instrumental interfaces based on optical motion capture technology with passive infrared markers (MoCap), and the analysis of their use in a real scenic presentation context. Because of MoCap's predisposition to capture the movements of the body, a lot of research and musical applications in the performing arts concern dance or the sonification of gesture. For our research, we wanted to move away from the capture of the human body to analyse the possibilities of a kinetic object handled by a performer, both in terms of musical expression, but also in the broader context of a multimodal scenic interpretation.
Zenodo
2019-06-01
info:eu-repo/semantics/conferencePaper
3672953
user-nime_conference
1582053659.243247
4228680
md5:552cdb5011d9bd5207645a262940ff3f
https://zenodo.org/records/3672954/files/nime2019_paper051.pdf
public
10.5281/zenodo.3672953
isVersionOf
doi
Proceedings of the International Conference on New Interfaces for Musical Expression
266--271
2019-06-01