{ "access": { "embargo": { "active": false, "reason": null }, "files": "public", "record": "public", "status": "open" }, "created": "2020-02-18T10:39:08.259332+00:00", "custom_fields": { "imprint:imprint": { "pages": "198--203", "title": "Proceedings of the International Conference on New Interfaces for Musical Expression" }, "meeting:meeting": { "place": "Porto Alegre, Brazil", "title": "International Conference on New Interfaces for Musical Expression" } }, "deletion_status": { "is_deleted": false, "status": "P" }, "files": { "count": 1, "enabled": true, "entries": { "nime2019_paper039.pdf": { "checksum": "md5:fb733de6af85e94a17c8f3ba88f13d85", "ext": "pdf", "id": "3c885ba0-e2d6-41b9-834e-066e131dd069", "key": "nime2019_paper039.pdf", "metadata": null, "mimetype": "application/pdf", "size": 2257124 } }, "order": [], "total_bytes": 2257124 }, "id": "3672922", "is_draft": false, "is_published": true, "links": { "access": "https://zenodo.org/api/records/3672922/access", "access_links": "https://zenodo.org/api/records/3672922/access/links", "access_request": "https://zenodo.org/api/records/3672922/access/request", "access_users": "https://zenodo.org/api/records/3672922/access/users", "archive": "https://zenodo.org/api/records/3672922/files-archive", "archive_media": "https://zenodo.org/api/records/3672922/media-files-archive", "communities": "https://zenodo.org/api/records/3672922/communities", "communities-suggestions": "https://zenodo.org/api/records/3672922/communities-suggestions", "doi": "https://doi.org/10.5281/zenodo.3672922", "draft": "https://zenodo.org/api/records/3672922/draft", "files": "https://zenodo.org/api/records/3672922/files", "latest": "https://zenodo.org/api/records/3672922/versions/latest", "latest_html": "https://zenodo.org/records/3672922/latest", "media_files": "https://zenodo.org/api/records/3672922/media-files", "parent": "https://zenodo.org/api/records/3672921", "parent_doi": "https://zenodo.org/doi/10.5281/zenodo.3672921", "parent_html": "https://zenodo.org/records/3672921", "requests": "https://zenodo.org/api/records/3672922/requests", "reserve_doi": "https://zenodo.org/api/records/3672922/draft/pids/doi", "self": "https://zenodo.org/api/records/3672922", "self_doi": "https://zenodo.org/doi/10.5281/zenodo.3672922", "self_html": "https://zenodo.org/records/3672922", "self_iiif_manifest": "https://zenodo.org/api/iiif/record:3672922/manifest", "self_iiif_sequence": "https://zenodo.org/api/iiif/record:3672922/sequence/default", "versions": "https://zenodo.org/api/records/3672922/versions" }, "media_files": { "count": 0, "enabled": false, "entries": {}, "order": [], "total_bytes": 0 }, "metadata": { "creators": [ { "person_or_org": { "family_name": "Hodl", "given_name": "Oliver", "name": "Hodl, Oliver", "type": "personal" } } ], "description": "With a new digital music instrument (DMI), the interface itself, the sound generation, the composition, and the performance are often closely related and even intrinsically linked with each other. Similarly, the instrument designer, composer, and performer are often the same person. The Academic Festival Overture is a new piece of music for the DMI Trombosonic and symphonic orchestra written by a composer who had no prior experience with the instrument. The piece underwent the phases of a composition competition, rehearsals, a music video production, and a public live performance. This whole process was evaluated reflecting on the experience of three involved key stakeholder: the composer, the conductor, and the instrument designer as performer. `Blending dimensions' of these stakeholder and decoupling the composition from the instrument designer inspired the newly involved composer to completely rethink the DMI's interaction and sound concept. Thus, to deliberately avoid an early collaboration between a DMI designer and a composer bears the potential for new inspiration and at the same time the challenge to seek such a collaboration in the need of clarifying possible misunderstandings and improvement.", "publication_date": "2019-06-01", "publisher": "Zenodo", "resource_type": { "id": "publication-conferencepaper", "title": { "de": "Konferenzbeitrag", "en": "Conference paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "title": "'Blending Dimensions' when Composing for DMI and Symphonic Orchestra" }, "parent": { "access": { "owned_by": { "user": 42081 } }, "communities": { "default": "5517c069-330e-42b4-9a61-7187dc64620c", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2018-05-23T10:18:56.789761+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "5517c069-330e-42b4-9a61-7187dc64620c", "links": {}, "metadata": { "curation_policy": "
Only peer-reviewed papers accepted for and presented at the NIME conferences will be included here.
\r\n", "page": "This collection contains peer-reviewed papers published as part of the official proceedings of the International Conference on New Interfaces for Musical Expression (NIME). The NIME conference gathers researchers and musicians from all over the world to share their knowledge and late-breaking work on new musical interface design. The conference started as a workshop at the Conference on Human Factors in Computing Systems (CHI) in 2001. Since then, an annual series of international conferences have been held around the world, hosted by research groups dedicated to interface design, human-computer interaction, and computer music. There is also a separate conference archive for NIME material that is not peer-reviewed, and a community archive for anything else.
\r\n\r\n