3672898
doi
10.5281/zenodo.3672898
oai:zenodo.org:3672898
user-nime_conference
Moore, Stephan
Smallwood, Scott
Reanimating the Readymade
Bussigel, Peter
info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
There is rich history of using found or "readymade" objects in music performances and sound installations. John Cage's Water Walk, Carolee Schneeman's Noise Bodies, and David Tudor's Rainforest all lean on both the sonic and cultural affordances of found objects. Today, composers and sound artists continue to look at the everyday, combining readymades with microcontrollers and homemade electronics and repurposing known interfaces for their latent sonic potential. This paper gives a historical overview of work at the intersection of music and the readymade and then describes three recent sound installations/performances by the authors that further explore this space. The emphasis is on processes involved in working with found objects--the complex, practical, and playful explorations into sound and material culture.
Zenodo
2019-06-01
info:eu-repo/semantics/conferencePaper
3672897
user-nime_conference
1582053659.125424
4401685
md5:69a5b6d32791095988950467399f83a3
https://zenodo.org/records/3672898/files/nime2019_paper027.pdf
public
10.5281/zenodo.3672897
isVersionOf
doi
Proceedings of the International Conference on New Interfaces for Musical Expression
134--139
2019-06-01