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The automatic harp can play music based on the electronic score and change its speed according to the speed of the performer. We built a 32-channel automatic harp and designed a layered modular framework integrating both hardware and software, for experimental real-time control protocols. Considering that MIDI keyboard lacking information of force (acceleration) and fingering detection, both of which are important for expression, we designed force-sensor glove and achieved basic image recognition. They are used to accurately detect speed, force (corresponding to velocity in MIDI) and pitch when a performer plays the piano.", "publication_date": "2019-06-01", "publisher": "Zenodo", "resource_type": { "id": "publication-conferencepaper", "title": { "de": "Konferenzbeitrag", "en": "Conference paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "title": "Collaborative Musical Performances with Automatic Harp Based on Image Recognition and Force Sensing Resistors" }, "parent": { "access": { "owned_by": { "user": 42081 } }, "communities": { "default": "5517c069-330e-42b4-9a61-7187dc64620c", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2018-05-23T10:18:56.789761+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "5517c069-330e-42b4-9a61-7187dc64620c", "links": {}, "metadata": { "curation_policy": "
Only peer-reviewed papers accepted for and presented at the NIME conferences will be included here.
\r\n", "page": "This collection contains peer-reviewed papers published as part of the official proceedings of the International Conference on New Interfaces for Musical Expression (NIME). The NIME conference gathers researchers and musicians from all over the world to share their knowledge and late-breaking work on new musical interface design. The conference started as a workshop at the Conference on Human Factors in Computing Systems (CHI) in 2001. Since then, an annual series of international conferences have been held around the world, hosted by research groups dedicated to interface design, human-computer interaction, and computer music. There is also a separate conference archive for NIME material that is not peer-reviewed, and a community archive for anything else.
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