Thesis Open Access

Prof. Dr. Dario Cebic: ANALYSE Claude Debussy - Ausgewählte Werke für Klavier I ,,La puerta del Vino"

Dario Cebic


DataCite XML Export

<?xml version='1.0' encoding='utf-8'?>
<resource xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://datacite.org/schema/kernel-4" xsi:schemaLocation="http://datacite.org/schema/kernel-4 http://schema.datacite.org/meta/kernel-4.1/metadata.xsd">
  <identifier identifierType="DOI">10.5281/zenodo.3626974</identifier>
  <creators>
    <creator>
      <creatorName>Dario Cebic</creatorName>
      <affiliation>Prof. Dr.</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Prof. Dr. Dario Cebic: ANALYSE Claude Debussy - Ausgewählte Werke für Klavier I ,,La puerta del Vino"</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2020</publicationYear>
  <subjects>
    <subject>Debussy, Analys</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2020-01-24</date>
  </dates>
  <language>en</language>
  <resourceType resourceTypeGeneral="Text">Thesis</resourceType>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/3626974</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.3626973</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;The work &amp;quot;La puerta del Vino&amp;quot; is characterized by Andalusian folk music, the PhrygianArabic mode (which influences partly the melody) and Habanera rhythm.&lt;/p&gt;

&lt;p&gt;In the ,,La puerta del Vino&amp;ldquo; moves above the ostinato bass a melodic upper voice, which is partly expatriated, partly amplified by fifths or parallel chords and is characteristic in the change of duols and triplets. The Eastin Habanera rhythm can be found in two forms: &amp;bull; on the notes &amp;quot;of - as&amp;quot; (bars 1 - 41, bar 66 until the end) &amp;bull; on the notes &amp;quot;b - f&amp;quot; (bars 44 - 56).&lt;/p&gt;</description>
  </descriptions>
</resource>
155
121
views
downloads
All versions This version
Views 155155
Downloads 121121
Data volume 120.0 MB120.0 MB
Unique views 137137
Unique downloads 106106

Share

Cite as