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Wandering Monsters. Serial Peregrinations and Transfictionality

Ksenia Olkusz


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{
  "description": "<p>The post-modern gothic simultaneously makes reference to already well-grounded experience, such as the repertoire of motifs and narrative prefigurations which have entered the artistic canon of the convention for good. A lot of figures and characters identified with horror become a part of the transfictional process of allocating them in new settings and re-designing their fictional biographies. Although in TV series reinterpretations of classical literary narratives quite often focus on instilling a positive image of erstwhile impersonation of numinosum, they do offer in return a construal of more contemporaneous fears, aligned with today&rsquo;s &nbsp;socio-political-economic landscape. This article will include the following series based on literary &nbsp;prototypes representing the very canon of gothic fiction: Dracula, Penny Dreadful, Jekyll and Hyde, Second Chance and Sleepy Hollow &nbsp;as well as elements of productions connected with literary narrations of horror, such as Once Upon a Time.</p>", 
  "license": "https://creativecommons.org/licenses/by/4.0/legalcode", 
  "creator": [
    {
      "affiliation": "Facta Ficta Research Centre", 
      "@type": "Person", 
      "name": "Ksenia Olkusz"
    }
  ], 
  "headline": "Wandering Monsters. Serial Peregrinations and Transfictionality", 
  "image": "https://zenodo.org/static/img/logos/zenodo-gradient-round.svg", 
  "datePublished": "2019-10-21", 
  "url": "https://zenodo.org/record/3515100", 
  "keywords": [
    "transfictionality, TV series, horror, literature, gothic fiction, narrative"
  ], 
  "@context": "https://schema.org/", 
  "identifier": "https://doi.org/10.5281/zenodo.3515100", 
  "@id": "https://doi.org/10.5281/zenodo.3515100", 
  "@type": "ScholarlyArticle", 
  "name": "Wandering Monsters. Serial Peregrinations and Transfictionality"
}
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