3477602
doi
10.5281/zenodo.3477602
oai:zenodo.org:3477602
Lee, Hyunkook
Applied Psychoacoustics Lab (APL), University of Huddersfield
Johnson, Dale
Applied Psychoacoustics Lab (APL), University of Huddersfield
Bacila, Bogdan
Applied Psychoacoustics Lab (APL), University of Huddersfield
Brixen, Eddy
DPA Microphones
Mortimer, Paul
Emerging UK
Cellier, Claude
Merging Technologies
Mäkivirta, Aki
Genelec
Johnson, Dale
Applied Psychoacoustics Lab (APL), University of Huddersfield
3D Microphone Array Recording Comparison (3D-MARCo)
Lee, Hyunkook
Applied Psychoacoustics Lab (APL), University of Huddersfield
info:eu-repo/semantics/openAccess
Creative Commons Attribution 3.0 Unported
https://creativecommons.org/licenses/by/3.0/legalcode
3D audio
Spatial audio
Immersive audio
Microphone array
Microphone technique
Critical listening
Sound recording
<p>3D-MARCo is an open-access database of 3D sound recordings of musical performances and room impulse responses. The recordings were made in the St. Paul’s concert hall in Huddersfield, UK using a total of 71 microphones simultaneously. The main microphone arrays included in the database comprise PCMA-3D, OCT-3D, 2L-Cube, Decca Cubioid, First-order Ambisonics (FOA), Higher-order Ambisonics (HOA) and Hamasaki Square with height. In addition, ORTF, side/height, Voice of God and floor channels as well as a dummy head and spot microphones are included. The sound sources recorded are string quartet, piano trio, piano solo, organ, a cappella group, various single sources and room impulse responses of a virtual ensemble with 13 source positions captured by all of the microphones. 3D-MARCo would be useful for spatial audio research, recording education, critical ear training, etc.</p>
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Zenodo
2019-10-06
info:eu-repo/semantics/other
3474285
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