There is a newer version of this record available.

Dataset Open Access

Amateur Vocal Percussion Dataset

Alejandro Delgado


DataCite XML Export

<?xml version='1.0' encoding='utf-8'?>
<resource xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://datacite.org/schema/kernel-4" xsi:schemaLocation="http://datacite.org/schema/kernel-4 http://schema.datacite.org/meta/kernel-4.1/metadata.xsd">
  <identifier identifierType="DOI">10.5281/zenodo.3245959</identifier>
  <creators>
    <creator>
      <creatorName>Alejandro Delgado</creatorName>
      <affiliation>ROLI Ltd. / Queen Mary University of London</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Amateur Vocal Percussion Dataset</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2019</publicationYear>
  <dates>
    <date dateType="Issued">2019-06-14</date>
  </dates>
  <resourceType resourceTypeGeneral="Dataset"/>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/3245959</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.3236594</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="http://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;Dataset of vocal imitations of percussion sounds.&amp;nbsp;It includes a total of 9867&amp;nbsp;utterances in 280 audio files recorded by&amp;nbsp;28 participants with little or no&amp;nbsp;experience in beatboxing. Onsets and labels for kick drum, snare drum, closed hi-hat and opened hi-hat are annotated in separate .csv files.&lt;/p&gt;

&lt;p&gt;All audio files were&amp;nbsp;recorded with a MacBook Pro&amp;#39;s built-in mic in an indoor&amp;nbsp;environment and they are distributed into two&amp;nbsp;modalities: personal imitations and fixed imitations.&amp;nbsp;For each modality and participant,&amp;nbsp;four files contain repetitions of utterances&amp;nbsp;of the same class and one&amp;nbsp;file corresponds&amp;nbsp;to a rhythmic improvisation with these.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;Update from V1&lt;/strong&gt;:&lt;em&gt;&amp;nbsp;&lt;/em&gt;3&amp;nbsp;audio files cleaned, 15 onsets&amp;nbsp;added, 43&amp;nbsp;onsets&amp;nbsp;cleared, refined onset locations&lt;/p&gt;</description>
  </descriptions>
  <fundingReferences>
    <fundingReference>
      <funderName>European Commission</funderName>
      <funderIdentifier funderIdentifierType="Crossref Funder ID">10.13039/501100000780</funderIdentifier>
      <awardNumber awardURI="info:eu-repo/grantAgreement/EC/H2020/765068/">765068</awardNumber>
      <awardTitle>New Frontiers in Music Information Processing</awardTitle>
    </fundingReference>
  </fundingReferences>
</resource>
122
17
views
downloads
All versions This version
Views 12237
Downloads 175
Data volume 3.9 GB1.2 GB
Unique views 5822
Unique downloads 165

Share

Cite as