October 14, 2014 Journal article Open Access

O'Sullivan, James

MARC21 XML Export

<?xml version='1.0' encoding='UTF-8'?>
<record xmlns="http://www.loc.gov/MARC21/slim">
  <leader>00000nam##2200000uu#4500</leader>
  <datafield tag="041" ind1=" " ind2=" ">
    <subfield code="a">eng</subfield>
  </datafield>
  <datafield tag="653" ind1=" " ind2=" ">
    <subfield code="a">Digital Humanities, Electronic Literature, Electronic Editions</subfield>
  </datafield>
  <controlfield tag="005">20200120174608.0</controlfield>
  <controlfield tag="001">3235631</controlfield>
  <datafield tag="856" ind1="4" ind2=" ">
    <subfield code="s">140345</subfield>
    <subfield code="z">md5:41cc59fabd275861e32e2c6a192094b5</subfield>
    <subfield code="u">https://zenodo.org/record/3235631/files/IJHAC_The New Apparatus of Influence.pdf</subfield>
  </datafield>
  <datafield tag="542" ind1=" " ind2=" ">
    <subfield code="l">open</subfield>
  </datafield>
  <datafield tag="260" ind1=" " ind2=" ">
    <subfield code="c">2014-10-14</subfield>
  </datafield>
  <datafield tag="909" ind1="C" ind2="O">
    <subfield code="p">openaire</subfield>
    <subfield code="o">oai:zenodo.org:3235631</subfield>
  </datafield>
  <datafield tag="909" ind1="C" ind2="4">
    <subfield code="c">226-238</subfield>
    <subfield code="n">2</subfield>
    <subfield code="p">International Journal of Humanities and Arts Computing</subfield>
    <subfield code="v">8</subfield>
  </datafield>
  <datafield tag="100" ind1=" " ind2=" ">
    <subfield code="u">University College Cork</subfield>
    <subfield code="0">(orcid)0000-0002-4214-9933</subfield>
    <subfield code="a">O'Sullivan, James</subfield>
  </datafield>
  <datafield tag="245" ind1=" " ind2=" ">
    <subfield code="a">The New Apparatus of Influence: Material Modernism in the Digital Age</subfield>
  </datafield>
  <datafield tag="540" ind1=" " ind2=" ">
    <subfield code="u">https://creativecommons.org/licenses/by/4.0/legalcode</subfield>
    <subfield code="a">Creative Commons Attribution 4.0 International</subfield>
  </datafield>
  <datafield tag="650" ind1="1" ind2="7">
    <subfield code="a">cc-by</subfield>
    <subfield code="2">opendefinition.org</subfield>
  </datafield>
  <datafield tag="520" ind1=" " ind2=" ">
    <subfield code="a">&lt;p&gt;Throughout this paper, I argue for a reapplication of those theories set out by George Bornstein in Material Modernism. More specifically, I suggest that Bornstein&amp;#39;s work should be considered in the context of the textual and literary constructs of the digital age. I begin with an account of those elements from Bornstein&amp;#39;s argument that I consider to be of most relevance to this particular discourse, giving particular consideration to what he refers to as the &amp;lsquo;bibliographic code.&amp;rsquo; I argue that this notion has gathered fresh momentum now that its potential has been enhanced through new forms of computer-based media. What the material modernists of the modernist movement sought to achieve with the material elements of their works, contemporary scholars and critics can seek to replicate and explore with greater clarity and creativity. The bibliographic code has gained new importance, as the degree by which it can be manipulated, I argue, has been extended significantly.&lt;/p&gt;

&lt;p&gt;This is an Accepted Manuscript of an article published by Edinburgh University Press in International Journal of Humanities and Arts Computing The version of record is available online at: https://www.euppublishing.com/doi/abs/10.3366/ijhac.2014.0131&lt;/p&gt;</subfield>
  </datafield>
  <datafield tag="024" ind1=" " ind2=" ">
    <subfield code="a">10.3366/ijhac.2014.0131</subfield>
    <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="980" ind1=" " ind2=" ">
    <subfield code="a">publication</subfield>
    <subfield code="b">article</subfield>
  </datafield>
</record>