3105029
doi
10.5281/zenodo.3105029
oai:zenodo.org:3105029
THE CHARACTER IN THE NEOCLASSICAL DRAMA
Emin Emini
info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
Neoclassicism, Sidi, Poetics, Criteria, Character.
<p>Reasonable probability for the doctrine of French neoclassicism resulted in the criterion of mass and harmony that finally should have had an artwork. Through this criterion in neoclassicism it was aimed to be achieved the structural composition of an artwork, but its content should be transmitted either to the reader or to the bystander as reasonable and correct, even though the content was not the epicenter of a neoclassic artwork. Even in this regard, Greek and Roman classicism is compared with neoclassical style, because for Aristotle the characters do not act to show their tempers. but they act according to their roles, which means that a character has a stable character structure and conform to what the structure is, s(he) operates and consequently through the action, the reader, and especially the viewer, is able to recognize the content, source, and the motive of the action of the character.</p>
Zenodo
2019-05-21
info:eu-repo/semantics/article
3105028
1579533601.629289
581061
md5:64acd970688a8ecddde0121454f9a212
https://zenodo.org/records/3105029/files/98-102.pdf
public
10.5281/zenodo.3105028
isVersionOf
doi