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Last Empress Fiction and Asian Neo-Victorianism

Ho, Elizabeth


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{
  "inLanguage": {
    "alternateName": "eng", 
    "@type": "Language", 
    "name": "English"
  }, 
  "description": "<p>This article claims that &lsquo;Last Empress&rsquo; fiction about the Empress Dowager Cixi reveals the postcolonial ethics of Anglophone neo-Victorianism. &lsquo;Last Empress&rsquo; texts naturally tend to be bookended by the narrative of a na&iuml;ve yet ambitious teenage concubine entering the imperial palace and the image of the Empress Dowager, as depicted in Bernardo Bertolucci&rsquo;s 1987 film, <em>The Last Emperor</em>, rotting on her deathbed. This emphasis on Cixi&rsquo;s ageing body as a metaphor for China&rsquo;s perceived humiliations in the past manages and contains, for Western readers, a similar commodification of &lsquo;China&rsquo; as a new economic and political powerhouse and brand. This article reads a range of &lsquo;Last Empress&rsquo; texts from Anchee Min&rsquo;s popular historical fiction, <em>Empress Orchid</em> (2004) and <em>The Last Empress</em> (2007), to metafictional critiques such as Da Chen&rsquo;s <em>My Last Empress</em> (2012) and Linda Jaivin&rsquo;s <em>The Empress Lover</em> (2014), to the Singaporean blockbuster musical, <em>Forbidden City: Portrait of an Empress</em> (2002), and situates them amongst arguments about race, ageing and neo-Orientalism. Cixi&rsquo;s continued visibility in biographies, fiction, and film recasts conventional understandings of neo-Victorianism as neo-Victorian gerontology: the problematics of rejuvenating (women in) the past, (post-)feminist &lsquo;time crisis&rsquo;, and new kinds of invisibility for women past and present. At the same time, &lsquo;Last Empress&rsquo; fiction offers opportunities to reflect on the geographical pressures Asia can put on the &lsquo;neo-&rsquo; in the term &lsquo;neo-Victorian&rsquo; and the difficulties of performing truly global neo-Victorian readings.</p>", 
  "license": "http://creativecommons.org/licenses/by/4.0/legalcode", 
  "creator": [
    {
      "affiliation": "University of Hong Kong, Hong Kong", 
      "@type": "Person", 
      "name": "Ho, Elizabeth"
    }
  ], 
  "url": "https://zenodo.org/record/2628454", 
  "image": "https://zenodo.org/static/img/logos/zenodo-gradient-round.svg", 
  "datePublished": "2019-04-04", 
  "headline": "Last Empress Fiction and Asian Neo-Victorianism", 
  "@context": "https://schema.org/", 
  "identifier": "https://doi.org/10.5281/zenodo.2628454", 
  "@id": "https://doi.org/10.5281/zenodo.2628454", 
  "@type": "ScholarlyArticle", 
  "name": "Last Empress Fiction and Asian Neo-Victorianism"
}
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