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This paper deals with the issues of cultural identity and transcultural spaces in the travel writing of D. H. Lawrence. The travel writings of Lawrence are important analyses of modern culture. They definitely give opportunity to study the role of cultural identity in the genre of travel writing. Travel writing as a genre primarily deals with the experiences of a travel writer travelling to different unknown cultures or places and most of the travel writings of Lawrence document the meeting of two alien cultures. The strange meetings represented by the travel writer’s own culture and the culture of the people of the country travelled by him make a transcultural space. The strangeness produced out of the encounter of two different cultures is the most important issue here. The strangeness between the self and the world brings with it the issues of ‘cultural identity’ and ‘transculturation’. Lawrence’s Mexican travel writing, Mornings in Mexico (1927) is built on the notion of cultural identity. His encounter with the Mexicans reminds of the vast gulf of difference between his European culture and the native Mexican culture. As transculturation is a transition from one culture to another, Lawrence’s encounter with the Mexican culture definitely produces a transcultural space that is only translated through the strangeness existing between the two cultures.
", "languages": [ { "id": "eng", "title": { "en": "English" } } ], "publication_date": "2019-01-31", "publisher": "Zenodo", "resource_type": { "id": "publication-article", "title": { "de": "Zeitschriftenartikel", "en": "Journal article" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "title": "The Manifestation of Cultural Identity and Transculturation in D.H. Lawrence's Mornings in Mexico" }, "parent": { "access": { "owned_by": { "user": 49843 } }, "communities": { "default": "c5dfb5fd-dcde-44b5-a9e6-1cea3774bb8c", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2018-07-21T19:19:00.079921+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "c5dfb5fd-dcde-44b5-a9e6-1cea3774bb8c", "links": {}, "metadata": { "curation_policy": "Only articles/files published in postScriptum: An Interdisciplinary Journal of Literary Studies will be uploaded by the community founder/journal editor and all other uploads will be rejected.
\r\n", "page": "postScriptum: An Interdisciplinary Journal of Literary Studies (online, open access, peer-reviewed, DOAJ Indexed; ISSN: 2456-7507) is a bi-annual journal of Humanities & Social Sciences, published in the months of January and July every year at http://postscriptum.co.in
\r\n\r\nIn spite of being an afterthought, appended to the script, post scriptum is always an integral part of the script. Post scriptum is often the space for revisions, modifications and alterations of the original script.
\r\n\r\nLiterary discourses are but the reflections of our engagements with the literary works. Being post scriptum in the literary sense – scripted after the script – such discourses sometimes prove themselves to be the rightful appendices of the scripts through revisions, modifications and alterations.
\r\n\r\nThis online journal is just an endeavour to bring to light some such post scriptum discourses.
\r\n\r\nThe interdisciplinary nature of this journal accommodates literary discourses that deal with literary representations which have sprouted from original scripts or, maybe, never had a script so to say. The emergence of nonscriptural literary works is gradually taking us towards a postscriptum era. Being online in publication nature, this journal also strives to capture the essence of this postscriptum era.
\r\n\r\npostSciptum aims to provide connoisseurs, scholars and academicians a space for publishing popular, research and academic discourses involving several intersects of literary studies.
\r\n\r\nThe interdisciplinary nature of literary studies, in recent times, is evident not only in its incorporation of the socio-cultural idioms in its regular discourses, but also in its acknowledgement of several nonscriptural forms that have emerged in recent times. The scope of postScriptum encompasses the multifaceted socio-cultural aspects reflected through the prism of scriptural and nonscriptural mediums of literature in general.
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