Conference paper Open Access

Very Long Cat: Zero-Latency Network Music with Live Coding

Ogborn, David; Mativetsky, Shawn


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  <identifier identifierType="DOI">10.5281/zenodo.19348</identifier>
  <creators>
    <creator>
      <creatorName>Ogborn, David</creatorName>
      <givenName>David</givenName>
      <familyName>Ogborn</familyName>
      <affiliation>McMaster University</affiliation>
    </creator>
    <creator>
      <creatorName>Mativetsky, Shawn</creatorName>
      <givenName>Shawn</givenName>
      <familyName>Mativetsky</familyName>
      <affiliation>CIRMMT, Schulich School of Music, McGill University</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Very Long Cat: Zero-Latency Network Music with Live Coding</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2015</publicationYear>
  <subjects>
    <subject>iclc2015</subject>
    <subject>live coding</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2015-07-13</date>
  </dates>
  <resourceType resourceTypeGeneral="Text">Conference paper</resourceType>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/19348</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/livecode</relatedIdentifier>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/iclc2015</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="http://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;very long cat are a new network music duo combining tabla and live coding, rehearsing and performing via the Inter- net, and employing an eclectic range of techniques and technologies. e specific structure of the ensemble&amp;rsquo;s network music setup, with one musician live coding and monitoring their own performance with a calibrated delay, allows both musicians to experience each other&amp;rsquo;s performances as synchronized. is poster focuses on the evolving technical con- figuration of this hybrid ensemble, with an emphasis on the constraints imposed by the insistence on &amp;ldquo;zero latency&amp;rdquo; in a live coding ensemble (some sound transformations are not feasible, and others are implemented in a characteristic way).&lt;/p&gt;</description>
  </descriptions>
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