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Listening preferences for the different reproduction systems Stereo, Surround, and Wave Field Synthesis in the context of popular music

Wierstorf, Hagen; Hold, Christoph


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  <identifier identifierType="DOI">10.5281/zenodo.164433</identifier>
  <creators>
    <creator>
      <creatorName>Wierstorf, Hagen</creatorName>
      <givenName>Hagen</givenName>
      <familyName>Wierstorf</familyName>
      <affiliation>Technische Universität Ilmenau</affiliation>
    </creator>
    <creator>
      <creatorName>Hold, Christoph</creatorName>
      <givenName>Christoph</givenName>
      <familyName>Hold</familyName>
      <affiliation>Technische Universität Berlin</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Listening preferences for the different reproduction systems Stereo, Surround, and Wave Field Synthesis in the context of popular music</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2016</publicationYear>
  <subjects>
    <subject>WFS</subject>
    <subject>Stereo</subject>
    <subject>Surround</subject>
    <subject>listening preference</subject>
    <subject>BTL</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2016-11-02</date>
  </dates>
  <resourceType resourceTypeGeneral="Dataset"/>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/164433</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsSupplementedBy">10.14279/depositonce-5173</relatedIdentifier>
    <relatedIdentifier relatedIdentifierType="URL" relationType="IsPartOf">https://zenodo.org/communities/ecfunded</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="http://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;We did a paired comparison preference test where listeners rated their listening preference for four different pop musical pieces presented by WFS, stereo or surround. The musical pieces were all mixed by the same person in order to try to minimize the influence of the mix on the ratings, but still trying to get the best out of every system, see [1] for details. The mixes are available at https://doi.org/10.14279/depositonce-5173.&lt;/p&gt;

&lt;p&gt;Here, we provide the results of the 22 listeners that participated in the experiment together with an analysis which calculates a Bradley-Terry-Luce model after Wickelmayer et al. [2].&lt;/p&gt;

&lt;p&gt;[1] Hold, C., Wierstorf, H., Raake, A. (2016), “The Difference Between Stereophony and Wave Field Synthesis in the Context of Popular Music,” 140th AES Convention, Paper 9533&lt;/p&gt;

&lt;p&gt;[2] https://cran.r-project.org/web/packages/eba/index.html&lt;/p&gt;</description>
  </descriptions>
  <fundingReferences>
    <fundingReference>
      <funderName>European Commission</funderName>
      <funderIdentifier funderIdentifierType="Crossref Funder ID">10.13039/501100000780</funderIdentifier>
      <awardNumber awardURI="info:eu-repo/grantAgreement/EC/FP7/618075/">618075</awardNumber>
      <awardTitle>TWO!EARS</awardTitle>
    </fundingReference>
  </fundingReferences>
</resource>
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