Published November 26, 2018 | Version v1
Journal article Open

KNOWING FROM WITHIN: THE OBSCENE BODY IN "THE SQUAW"

  • 1. Ștefan cel Mare University of Suceava, Faculty of Letters and Communication Sciences, Suceava, Romania

Description

The article focuses on the relationship between woman’s body and text in a piece of short Gothic fiction by Dracula’s author. Woman’s body is in Stoker’s “The Squaw” an obscene text that can be “read” and is open to exploration and interpretation. Woman’s body invites mutilation but is also a maze in which the explorer gets lost, losing his way in the entrails of a text that he violates and exploits but which eventually entraps him.

Files

msas_2018_0006.pdf

Files (297.4 kB)

Name Size Download all
md5:01ccb784e399365885173e53fd8b0686
297.4 kB Preview Download

Additional details

References

  • Bray, A. 2004. Hélène Cixous: Writing and Sexual Difference, London and New York, Palgrave Macmillan.
  • Brooks, P. 1993. Body Work. Objects of Desire in Modern Narrative, Cambridge MA and London UK, Harvard University Press.
  • Carstarphen, M. G. and Sanchez J. P. 2012. American Indians and the Mass Media, Norman OK, University of Oklahoma Press.
  • Cixous, H. 1981. "Castration or Decapitation?" in Signs, translated into English by Annette Kuhn, Vol. 7, No. 1, University of Chicago Press, pp. 41- 55.
  • DalMolin, E. F. 2000. Cutting the Body. Representing Woman's Body in Baudelaire's Poetry, Truffaut's Cinema and Freud's Psychoanalysis, Ann Arbor, University of Michigan Press.
  • Flint, K. 2009. The Transatlantic Indian, 1776 – 1930, Princeton NJ, Princeton University Press.
  • Giblett, R. J. 2008. The Body of Nature and Culture, New York, Palgrave Macmillan.
  • Gliserman, M. J. 1996. Psychoanalysis, Language, and the Body of the Text, Gainesville FL, University Press of Florida.
  • Godfrey, E. 2012. Femininity, Crime and Self-Defence in Victorian Literature and Society: From Dagger-Fans to Suffragettes, London and New York, Palgrave Macmillan.
  • Hill, J. H. 2011. The Everyday Language of White Racism, Wiley Blackwell Studies in Discourse and Culture, Chichester UK, Wiley- Blackwell.
  • Hogle, J. E. 2014. The Cambridge Companion to Modern Gothic, Cambridge UK, Cambridge University Press.
  • Hurley, K. 1996. The Gothic Body. Sexuality, Materialism, and Degeneration at the Fin de siècle, Cambridge UK, Cambridge University Press.
  • Darryl J. (Ed.). 2014. Horror Stories: Classic Tales from Hoffmann to Hodgson, Oxford UK, Oxford University Press.
  • Maunder, A. 2007. The Facts on File Companion to the British Short Story, New York, Infobase Publishing.
  • Mihesuah, D. A. 2003. Indigenous American Women: Decolonization, Empowerment, Activism, Lincoln NE, University of Nebraska Press.
  • Miller, S. A. 2010. Medieval Monstrosity and the Female Body, New York, Routledge.
  • Nayder, L. 1996. Iron Men, Wooden Women: Gender and Seafaring in the Atlantic World: 1700- 1920, Baltimore, John Hopkins University Press.
  • Parezo, N. J. and Jones. A. R.2009. "What's in a Name? The 1940s–1950s 'Squaw Dress'", in American Indian Quarterly, vol. 33, no. 3, pp. 373- 405.
  • Pettitt, T. 2009. "Books and Bodies, Bound and Unbound" in Orbis Litterarum, 64: 2, pp. 104 -26.
  • Senf, C. A. 2002. Science and Social Science in Bram Stoker's Fiction, Westport CT, Greenwood Publishing Group.
  • Stoker, B. 2014. "The Squaw", in Darryl Jones (Ed.). 2014. Horror Stories: Classic Tales from Hoffmann to Hodgson, Oxford UK, Oxford University Press, pp. 252 - 64.
  • Sutherland, J. 2014. The Longman Companion to Victorian Fiction, London, Routledge.
  • Ussher, J. M. 2006. Managing the Monstrous Feminine. Regulating the Reproductive Body, New York and London, Routledge.