Journal article Open Access
The study is an application in the esthetic field of the neutrosophic theory of Florentin Smarandache. The double thesis towards which it is argumented is the following:
a) popular, sculptural elements, initially neutral, entered in the sculptural profile of Constantin Brâncuşi and became “brâncuşiene”;
b) at the same time, those elements have kept a quasineutrality, in the sense that they are still used as popular elements “non-Brâncuşi-ian”!, by the masters of icons and crosses from Oltenia.