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Computational artworks develop very particular relationships with their readers. Being able to encode and enact complex and contingent behaviours, a computational artwork exists in a dual state between two layers that are inextricably connected, a computational subface that is often a black box which can only be peeked at through an analogue surface, that mediates but also isolates it. But the procedural layer of the subface can be unearthed through a process of virtuosic interpretation, through which readers are able to develop some empathy with the system and arrive at a theory of the system that ultimately allows the transferring of some of the artwork’s processes to human minds. This paper focuses on how this process is developed and how it is the basis for a unique type of aesthetic experience that leads computational media and art to involve readers in anamorphosis and in a dialectics of aporia and epiphany, that mirrors the superimposition of subface and surface, and from where narrative experiences emerge.
", "funding": [ { "award": { "acronym": "UID/EEA/50014/2013", "id": "00snfqn58::147326", "identifiers": [ { "identifier": "http://www.fct.pt/apoios/projectos/consulta/vglobal_projecto.phtml.en?idProjecto=147326&idElemConcurso=8999", "scheme": "url" } ], "number": "147326", "program": "5876", "title": { "en": "INESC TEC - INESC Technology and Science" } }, "funder": { "id": "00snfqn58", "name": "Funda\u00e7\u00e3o para a Ci\u00eancia e Tecnologia" } } ], "languages": [ { "id": "eng", "title": { "en": "English" } } ], "publication_date": "2018-06-25", "publisher": "Zenodo", "resource_type": { "id": "publication-conferencepaper", "title": { "de": "Konferenzbeitrag", "en": "Conference paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "subjects": [ { "subject": "Computational Art" }, { "subject": "Ergodic Media" }, { "subject": "Artificial Aesthetics" }, { "subject": "Narrative" }, { "subject": "Reading" }, { "subject": "Virtuosic Interpretation" }, { "subject": "Interaction" }, { "subject": "Theory of the System" } ], "title": "Empathy in the Ergodic Experience of Computational Aesthetics" }, "parent": { "access": { "owned_by": { "user": 14812 } }, "communities": {}, "id": "1303347", "pids": { "doi": { "client": "datacite", "identifier": "10.5281/zenodo.1303347", "provider": "datacite" } } }, "pids": { "doi": { "client": "datacite", "identifier": "10.5281/zenodo.1303348", "provider": "datacite" }, "oai": { "identifier": "oai:zenodo.org:1303348", "provider": "oai" } }, "revision_id": 6, "stats": { "all_versions": { "data_volume": 55889388.0, "downloads": 222, "unique_downloads": 208, "unique_views": 359, "views": 389 }, "this_version": { "data_volume": 55889388.0, "downloads": 222, "unique_downloads": 208, "unique_views": 359, "views": 389 } }, "status": "published", "updated": "2020-01-20T17:34:33.531522+00:00", "versions": { "index": 1, "is_latest": true } }