Conference paper Open Access

Empathy in the Ergodic Experience of Computational Aesthetics

Carvalhais, Miguel; Cardoso, Pedro


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        <foaf:name>Carvalhais, Miguel</foaf:name>
        <foaf:givenName>Miguel</foaf:givenName>
        <foaf:familyName>Carvalhais</foaf:familyName>
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            <foaf:name>INESC TEC &amp; Faculty of Fine Arts, University of Porto</foaf:name>
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        <foaf:name>Cardoso, Pedro</foaf:name>
        <foaf:givenName>Pedro</foaf:givenName>
        <foaf:familyName>Cardoso</foaf:familyName>
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    <dct:title>Empathy in the Ergodic Experience of Computational Aesthetics</dct:title>
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    <dct:issued rdf:datatype="http://www.w3.org/2001/XMLSchema#gYear">2018</dct:issued>
    <dcat:keyword>Computational Art</dcat:keyword>
    <dcat:keyword>Ergodic Media</dcat:keyword>
    <dcat:keyword>Artificial Aesthetics</dcat:keyword>
    <dcat:keyword>Narrative</dcat:keyword>
    <dcat:keyword>Reading</dcat:keyword>
    <dcat:keyword>Virtuosic Interpretation</dcat:keyword>
    <dcat:keyword>Interaction</dcat:keyword>
    <dcat:keyword>Theory of the System</dcat:keyword>
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        <dct:identifier rdf:datatype="http://www.w3.org/2001/XMLSchema#string">10.13039/501100001871</dct:identifier>
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    <dct:issued rdf:datatype="http://www.w3.org/2001/XMLSchema#date">2018-06-25</dct:issued>
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    <dct:description>&lt;p&gt;Computational artworks develop very particular relationships with their readers. Being able to encode and enact complex and contingent behaviours, a computational artwork exists in a dual state between two layers that are inextricably connected, a computational subface that is often a black box which can only be peeked at through an analogue surface, that mediates but also isolates it. But the procedural layer of the subface can be unearthed through a process of virtuosic interpretation, through which readers are able to develop some empathy with the system and arrive at a theory of the system that ultimately allows the transferring of some of the artwork&amp;rsquo;s processes to human minds. This paper focuses on how this process is developed and how it is the basis for a unique type of aesthetic experience that leads computational media and art to involve readers in anamorphosis and in a dialectics of aporia and epiphany, that mirrors the superimposition of subface and surface, and from where narrative experiences emerge.&lt;/p&gt;</dct:description>
    <dct:description xml:lang="">This work is financed by the ERDF—European Regional Development Fund through the Operational Programme for Competitiveness and Internationalisation – COMPETE 2020 Programme within project "POCI-01-0145-FEDER-006961", and by National Funds through the FCT – Fundação para a Ciência e a Tecnologia (Portuguese Foundation for Science and Technology) as part of project "UID/EEA/50014/2013".</dct:description>
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    <dct:title>INESC TEC - INESC Technology and Science</dct:title>
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