December 1, 2017 Journal article Open Access

Relojo, Dennis

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  <identifier identifierType="DOI">10.5281/zenodo.1289157</identifier>
  <creators>
    <creator>
      <creatorName>Relojo, Dennis</creatorName>
      <givenName>Dennis</givenName>
      <familyName>Relojo</familyName>
    </creator>
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  <titles>
    <title>Interview with Dr Stella Dickinson, author of 'The Clinician's Guide to Forensic Music Therapy'</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2017</publicationYear>
  <dates>
    <date dateType="Issued">2017-12-01</date>
  </dates>
  <resourceType resourceTypeGeneral="JournalArticle"/>
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    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/1289157</alternateIdentifier>
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    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.1289156</relatedIdentifier>
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  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by-nc/4.0/legalcode">Creative Commons Attribution Non Commercial 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
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  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;On 28th April 2017, I had the chance to visit the Freud Museum in London &amp;ndash; a place dedicated to Sigmund Freud, who lived there with his family during the last years of his life. It was an amazing experience seeing both Anna and Sigmund&amp;rsquo;s house. It brought the history of psychology to life and offered a glimpse of what it was like to live through World War II. But the visit became even more memorable because I had the chance to meet and interview Dr Stella Compton Dickinson.&lt;/p&gt;</description>
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