{ "access": { "embargo": { "active": false, "reason": null }, "files": "public", "record": "public", "status": "open" }, "created": "2018-02-19T19:16:10.891079+00:00", "custom_fields": { "imprint:imprint": { "pages": "377--380", "title": "Proceedings of the International Conference on New Interfaces for Musical Expression" }, "meeting:meeting": { "place": "Daejeon, Republic of Korea", "title": "International Conference on New Interfaces for Musical Expression" } }, "deletion_status": { "is_deleted": false, "status": "P" }, "files": { "count": 1, "enabled": true, "entries": { "nime2013_121.pdf": { "checksum": "md5:1b60ebcbb9828c388b6a281edff2a530", "ext": "pdf", "id": "60a3c0b6-7dad-407b-bea7-8afce6133792", "key": "nime2013_121.pdf", "metadata": null, "mimetype": "application/pdf", "size": 3057833 } }, "order": [], "total_bytes": 3057833 }, "id": "1178602", "is_draft": false, "is_published": true, "links": { "access": "https://zenodo.org/api/records/1178602/access", "access_links": "https://zenodo.org/api/records/1178602/access/links", "access_request": "https://zenodo.org/api/records/1178602/access/request", "access_users": "https://zenodo.org/api/records/1178602/access/users", "archive": "https://zenodo.org/api/records/1178602/files-archive", "archive_media": "https://zenodo.org/api/records/1178602/media-files-archive", "communities": "https://zenodo.org/api/records/1178602/communities", "communities-suggestions": "https://zenodo.org/api/records/1178602/communities-suggestions", "doi": "https://doi.org/10.5281/zenodo.1178602", "draft": "https://zenodo.org/api/records/1178602/draft", "files": "https://zenodo.org/api/records/1178602/files", "latest": "https://zenodo.org/api/records/1178602/versions/latest", "latest_html": "https://zenodo.org/records/1178602/latest", "media_files": "https://zenodo.org/api/records/1178602/media-files", "parent": "https://zenodo.org/api/records/1178601", "parent_doi": "https://zenodo.org/doi/10.5281/zenodo.1178601", "parent_html": "https://zenodo.org/records/1178601", "requests": "https://zenodo.org/api/records/1178602/requests", "reserve_doi": "https://zenodo.org/api/records/1178602/draft/pids/doi", "self": "https://zenodo.org/api/records/1178602", "self_doi": "https://zenodo.org/doi/10.5281/zenodo.1178602", "self_html": "https://zenodo.org/records/1178602", "self_iiif_manifest": "https://zenodo.org/api/iiif/record:1178602/manifest", "self_iiif_sequence": "https://zenodo.org/api/iiif/record:1178602/sequence/default", "versions": "https://zenodo.org/api/records/1178602/versions" }, "media_files": { "count": 0, "enabled": false, "entries": {}, "order": [], "total_bytes": 0 }, "metadata": { "creators": [ { "person_or_org": { "family_name": "Martin", "given_name": "Charles", "name": "Martin, Charles", "type": "personal" } } ], "description": "This paper describes the development of an Apple iPhone based mobile computersystem for vibraphone and its use in a series of the author's performanceprojects in 2011 and 2012.This artistic research was motivated by a desire to develop an alternative tolaptop computers for the author's existing percussion and computer performancepractice. The aims were to develop a light, compact and flexible system usingmobile devices that would allow computer music to infiltrate solo and ensembleperformance situations where it is difficult to use a laptop computer.The project began with a system that brought computer elements to NordligVinter, a suite of percussion duos, using an iPhone, RjDj, Pure Data and ahome-made pickup system. This process was documented with video recordings andanalysed using ethnographic methods.The mobile computer music setup proved to be elegant and convenient inperformance situations with very little time and space to set up, as well as inperformance classes and workshops. The simple mobile system encouragedexperimentation and the platforms used enabled sharing with a wider audience.", "publication_date": "2013-06-01", "publisher": "Zenodo", "resource_type": { "id": "publication-conferencepaper", "title": { "de": "Konferenzbeitrag", "en": "Conference paper" } }, "rights": [ { "description": { "en": "The Creative Commons Attribution license allows re-distribution and re-use of a licensed work on the condition that the creator is appropriately credited." }, "icon": "cc-by-icon", "id": "cc-by-4.0", "props": { "scheme": "spdx", "url": "https://creativecommons.org/licenses/by/4.0/legalcode" }, "title": { "en": "Creative Commons Attribution 4.0 International" } } ], "title": "Performing with a Mobile Computer System for Vibraphone" }, "parent": { "access": { "owned_by": { "user": 42081 } }, "communities": { "default": "5517c069-330e-42b4-9a61-7187dc64620c", "entries": [ { "access": { "member_policy": "open", "members_visibility": "public", "record_policy": "open", "review_policy": "open", "visibility": "public" }, "children": { "allow": false }, "created": "2018-05-23T10:18:56.789761+00:00", "custom_fields": {}, "deletion_status": { "is_deleted": false, "status": "P" }, "id": "5517c069-330e-42b4-9a61-7187dc64620c", "links": {}, "metadata": { "curation_policy": "
Only peer-reviewed papers accepted for and presented at the NIME conferences will be included here.
\r\n", "page": "This collection contains peer-reviewed papers published as part of the official proceedings of the International Conference on New Interfaces for Musical Expression (NIME). The NIME conference gathers researchers and musicians from all over the world to share their knowledge and late-breaking work on new musical interface design. The conference started as a workshop at the Conference on Human Factors in Computing Systems (CHI) in 2001. Since then, an annual series of international conferences have been held around the world, hosted by research groups dedicated to interface design, human-computer interaction, and computer music. There is also a separate conference archive for NIME material that is not peer-reviewed, and a community archive for anything else.
\r\n\r\n