June 1, 2011 Conference paper Open Access

Martin, Charles; Lai, Chi-Hsia

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  <dc:creator>Martin, Charles</dc:creator>
  <dc:creator>Lai, Chi-Hsia</dc:creator>
  <dc:date>2011-06-01</dc:date>
  <dc:description>This paper describes Strike on Stage, an interface and corresponding  audio-visual  performance  work  developed  and performed in 2010 by percussionists and media artists Chi-Hsia  Lai  and  Charles  Martin.   The  concept  of Strike on Stage is  to  integrate  computer  visuals  and  sound  into  animprovised percussion performance.  A large projection surface  is  positioned  directly  behind  the  performers,  while  acomputer vision system tracks their movements.  The setup allows computer visualisation and sonification to be directly responsive and unified with the performers' gestures.</dc:description>
  <dc:identifier>https://zenodo.org/record/1178103</dc:identifier>
  <dc:identifier>10.5281/zenodo.1178103</dc:identifier>
  <dc:identifier>oai:zenodo.org:1178103</dc:identifier>
  <dc:relation>doi:10.5281/zenodo.1178102</dc:relation>
  <dc:relation>url:https://zenodo.org/communities/nime_conference</dc:relation>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>https://creativecommons.org/licenses/by/4.0/legalcode</dc:rights>
  <dc:title>Strike on Stage : a Percussion and Media Performance</dc:title>
  <dc:type>info:eu-repo/semantics/conferencePaper</dc:type>
  <dc:type>publication-conferencepaper</dc:type>
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