Conference paper Open Access

Strike on Stage : a Percussion and Media Performance

Martin, Charles; Lai, Chi-Hsia


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{
  "description": "<p>This paper describes Strike on Stage, an interface and corresponding&nbsp; audio-visual&nbsp; performance&nbsp; work&nbsp; developed&nbsp; and performed in 2010 by percussionists and media artists Chi-Hsia&nbsp; Lai&nbsp; and&nbsp; Charles&nbsp; Martin.&nbsp;&nbsp; The&nbsp; concept&nbsp; of Strike on Stage is&nbsp; to&nbsp; integrate&nbsp; computer&nbsp; visuals&nbsp; and&nbsp; sound&nbsp; into&nbsp; animprovised percussion performance.&nbsp; A large projection surface&nbsp; is&nbsp; positioned&nbsp; directly&nbsp; behind&nbsp; the&nbsp; performers,&nbsp; while&nbsp; acomputer vision system tracks their movements.&nbsp; The setup allows computer visualisation and sonification to be directly responsive and unified with the performers&#39; gestures.</p>", 
  "license": "https://creativecommons.org/licenses/by/4.0/legalcode", 
  "creator": [
    {
      "@type": "Person", 
      "name": "Martin, Charles"
    }, 
    {
      "@type": "Person", 
      "name": "Lai, Chi-Hsia"
    }
  ], 
  "headline": "Strike on Stage : a Percussion and Media Performance", 
  "image": "https://zenodo.org/static/img/logos/zenodo-gradient-round.svg", 
  "datePublished": "2011-06-01", 
  "url": "https://zenodo.org/record/1178103", 
  "@type": "ScholarlyArticle", 
  "@context": "https://schema.org/", 
  "identifier": "https://doi.org/10.5281/zenodo.1178103", 
  "@id": "https://doi.org/10.5281/zenodo.1178103", 
  "workFeatured": {
    "location": "Oslo, Norway", 
    "@type": "Event", 
    "name": "International Conference on New Interfaces for Musical Expression"
  }, 
  "name": "Strike on Stage : a Percussion and Media Performance"
}
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