January 16, 2018 Journal article Open Access

Theodoros Lotis

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<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
  <dc:creator>Theodoros Lotis</dc:creator>
  <dc:date>2018-01-16</dc:date>
  <dc:description>This article examines the adaptation of site and time specific processes in the performance of live electronics. A worked example of a site and time specific concert in a public bus is provided allowing for evaluation of performative methods and techniques.

 </dc:description>
  <dc:description>Originally published at Ouvirouver Vo.12 No.1 Jan-Jul 2016: 74-84. University of Uberlandia.</dc:description>
  <dc:identifier>https://zenodo.org/record/1149219</dc:identifier>
  <dc:identifier>10.5281/zenodo.1149219</dc:identifier>
  <dc:identifier>oai:zenodo.org:1149219</dc:identifier>
  <dc:language>eng</dc:language>
  <dc:relation>doi:10.5281/zenodo.1149218</dc:relation>
  <dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
  <dc:rights>https://creativecommons.org/licenses/by/4.0/legalcode</dc:rights>
  <dc:subject>site specific time specific art live electronics</dc:subject>
  <dc:title>Site and Time Specificity  in the Performance of Live Electronics</dc:title>
  <dc:type>info:eu-repo/semantics/article</dc:type>
  <dc:type>publication-article</dc:type>
</oai_dc:dc>