Journal article Open Access

Site and Time Specificity in the Performance of Live Electronics

Theodoros Lotis


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  <identifier identifierType="DOI">10.5281/zenodo.1149219</identifier>
  <creators>
    <creator>
      <creatorName>Theodoros Lotis</creatorName>
      <affiliation>Ionian</affiliation>
    </creator>
  </creators>
  <titles>
    <title>Site and Time Specificity  in the Performance of Live Electronics</title>
  </titles>
  <publisher>Zenodo</publisher>
  <publicationYear>2018</publicationYear>
  <subjects>
    <subject>site specific time specific art live electronics</subject>
  </subjects>
  <dates>
    <date dateType="Issued">2018-01-16</date>
  </dates>
  <language>en</language>
  <resourceType resourceTypeGeneral="Text">Journal article</resourceType>
  <alternateIdentifiers>
    <alternateIdentifier alternateIdentifierType="url">https://zenodo.org/record/1149219</alternateIdentifier>
  </alternateIdentifiers>
  <relatedIdentifiers>
    <relatedIdentifier relatedIdentifierType="DOI" relationType="IsVersionOf">10.5281/zenodo.1149218</relatedIdentifier>
  </relatedIdentifiers>
  <rightsList>
    <rights rightsURI="https://creativecommons.org/licenses/by/4.0/legalcode">Creative Commons Attribution 4.0 International</rights>
    <rights rightsURI="info:eu-repo/semantics/openAccess">Open Access</rights>
  </rightsList>
  <descriptions>
    <description descriptionType="Abstract">&lt;p&gt;This article examines the adaptation of site and time specific processes in the performance of live electronics. A worked example of a site and time specific concert in a public bus is provided allowing for evaluation of performative methods and techniques.&lt;/p&gt;

&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
    <description descriptionType="Other">Originally published at Ouvirouver Vo.12 No.1 Jan-Jul 2016: 74-84. University of Uberlandia.</description>
  </descriptions>
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