The first image he told me about was of three children on a road in Iceland in 1965
He said that for him it was the image of happiness and also that he had tried several times to link it to other images
But it never worked. He wrote me
One day I'll have to put it all alone at the beginning of a film with a long piece of black leader
If they don't see happiness in the picture, at least they'll see the black
May for one token
How to face a camera
The horror of being photographed for the first time
I
May we all have
Singleness of purpose and yet love and may the leaders of our nation here are crying
There's a certain ironic wisdom here, but it's impossible to forget that this particular challenge is a privilege
But there is another city the real downtown full of people who are apparently invisible to those who say it's deserted after working hours
Why should so small a country and one so poor interest the world
They did what they could they freed themselves. They chased out the Portuguese
They traumatized the Portuguese army to such an extent that it gave rise to a movement that overthrew the dictatorship and
Led one for a moment to believe in a new revolution in Europe
Who remembers all that?
This is the city
They make movies here. I live here
Sometimes I think that gives me the right to criticize the way movies depict my city
But the program started and went on and are still going on
Rather an exciting problems for revolutionary romanticism to work to produce to distribute
To overcome post-war exhaustion
temptations of power and privilege
Oh, well, after all history only tastes bitter to those who expected it to be sugar-coated
Oh
