I don't want to tell you what you already know
This is me that you're talking to, and anything I say I...
I'm talking for the right way, I'm talking only out of me,
I believe in me, for long days I'm making myself
One, two, one, two, three and...
The film is a little bit of an intervention, I don't know what to say,
The goal is not political intervention, but it is a political intervention
A thought in relation to a set of things that are a little bit critical
But that seems to me to be an opportunity in the current state of things
I'm talking only out of me, I believe in me, for long days I'm making myself
Looking for the right way, I'm feeling for the right way, out of me
I'm talking only out of me, I believe in me, for long days I'm making myself
Sharanha is a short film in essay, it's not exactly a short film in narrative
It essentially addresses my generation
The Portuguese generation has reached the age of 30
And that confronts with the idea that everything that you have for your life
will not be exactly possible
So the story goes on in a port, not at this time, but in the future
The female character is the deaf character and the male character
Vibh is an android character who lives only in music
While in the city he plays music well
And so it's during that environment that the two characters meet
It's a short film that brings a very improbable love story
It's not just about the origin, the different social media that the protagonists inhabit
But also about the sequence of spaces in which the film takes place
This film was written as a purpose for these spaces
I can go to Brazil and the Cerralves Park
There are places that tell me a lot about the city of Porto
