You
You
You
Wow
Sinceramente no tengo idea
La piratería es el saque organizado realizado en alta mar que consiste en atacar a una embarcación con el propósito de robar su carga
O poderarse de la nave misa reteniendo por la fuerza a las tripulaciones y pasajeros así como los propios transportes para desviar su ruptura
Yo las considero que son como Robin Hood
Quiere son realmente los piratas como artista es que más me duele que la vea mal
Mejor pirata que no conseguí nada como te digo no ha hecho y completamente en contra
Si hay algunas cosas que en realidad no es delito copiado. No es correcto que el pelicula pirata por ahí
Si a todo el mundo sabe que está mal pero no lo hace igual
Lo más importante que te debo ofrecer calidad no hay canales legales para poder evitar la piratería digamos que es más lucrativo
Todo el trabajo toda la inversión todo lo que cuesta ser
Me dito comprar más barato 90% de la economía de plaza las américa por ejemplo es de la piratería y la misma gente que critica esto es la misma gente que te compran
No media en serio que opinas de la piratería en este país no está bien must be afraid to dream with a bigger darling
The technological advances facilitate our lives but at the same time they facilitate the spread and efficiency of many illegal businesses
Uno de los ejemplos más cercanos a nosotros es la venta ilegal de pelicula un negocio que a nivel mundial está derrumbando una industria millonaria establecida y exitosa los autores y las casas productoras
Por esto el acto de lucrarse infringiendo los derechos de autor se le conoce peyorativamente como piratería aludiendo así a un acto bandálico y violento
Casi una batalla hasta años recientes las copias ilegales de películas llevaban la insignia de mala calidad esto por el aparatoso proceso de copiar un carrete de film o una cinta de video resultando en una copia sonora y visualmente pésima
You've got to chase me like this myth. To die by your side is such a heavenly way to die. I love him.
Esta situación se solventó con la aparición y masificación del internet y de los medios digitales así como le vinieron una mayor inmediatez, pluralidad, diversificación y distribución masiva las noticias de la información también trajeron consigo una nueva ola de piratas que sin pensar lo dos veces se apoderaron y sigan apoderándose de la propiedad intelectual ajena en miras del beneficio lucrativo propio
Y
A
Como dice la canción cuando Madonna era virgen y tras volta daba vueltas en el pasado los vendeores informales eran conocidos como artesanos personas que por diversas razones sabían la necesidad de montar mesas en las calles a vender productos de fabricación artesanal es decir
Productos de su propio ingenio pero el verdadero boom de lo que ahora conocemos como buboneros surgió tras la aparición del internet y diversos avances tecnológicos pero que en realidad un bubonero es la persona que también monto una mesita en la calle pero en lugar de vender artículos de su autor
productual se dedica a vender versiones de menor calidad de marcas y casas reconocidas de un infinidad de artículos yo tengo aproximadamente un año y medio aquí tengo dos años de la universidad comenzamos porque particularmente yo
comence porque necesitaba dinero y tuve suerte conseguir trabajo aquí en el 2006 y estoy en negocio porque genera para poder ir no tan bien pero un poco mejor las películas por lo general son originales son demasiado caras
no se consigue no se consigue entonces si no se consigue son muy caras donde las va a conseguir por lo menos yo a mi se me gusta también original pero no los consigo donde los compro por internet es un peor
mientras hay una demanda de película no se va a acabar el mercado pirata si compramos películas originales vamos a tener que dejar uno de la cara en los puestos de las vendas
entonces yo veo las películas piratas como Robin Hood quitarle a los ricos para que nos den los pobres que podamos comprar sus universitarios pues
inclusive pues que si que comprarles y lugares donde vas otra vez y pagas algo y te las cambian todo el mundo tiene acceso a la piratería en todos lados la consigue
pues inclusive tu digitalizar material y subirlo tu internet
la gente tiene estos negocios como empiezas a tener estos negocios no hay que piezas porque la gente te mete o no se ve
es porque produce un negocio lucrativo
es obvio que todo el mundo necesita dinero para pagar las necesidades básicas
creo que en primer lugar eso sería y creo que este negocio como estas se iniciaron de esa forma
después vino como la fan del lucro y se comenzaron a especializar y introducir un montón de cuestiones que ya estaban pensadas ya para verles la ganancia del asunto
aquí en Venezuela cualquier iniciativa que te genere dividendo, te genera dinero
pues es importante siempre y cuando tu puedas suprir una necesidad con eso
yo creo que eso es parte también ahorita de que tengamos ahorita muchísimo economía informal
y que tengamos muchísimo profesionales siendo bonero, muchísimo artista siendo bonero
porque necesariamente no hay un trabajo formal en el que se puede incorporar
yo creo que no es necesidad es divesa
si tu llegas y ves que tienes un público que te va a comprar esas películas y te la puedes sacar ganancia, lo haces ya
la universidad en realidad no cubre nuestras necesidades como estudiantes pobres que somos
no hay residencias estudiantiles, entonces tenemos que pagar una habitación
y trabajar para poder pagarla y no hay transporte, esas cosas realmente
lamentablemente por el página en el que estamos a veces es el acceso más sencillo o más barato
a ciertas películas que si quisieras tenerlas original posiblemente no las consigas aquí
la inversión para vender película originales sería muy elevada, de hecho
hay muy pocos sitios en Venezuela legalmente establecidos que venda película original
lo único que hacen con las películas originales es Blockbuster y Videocolor
y a mí que alquilan las películas, y van muy atrasados porque los estrenos de ellos
están estrenando ahorita muy ergonitas, son que estrenan para ellos
entonces es muy onerosa la inversión
yo digo que esto no perjudica las empresas, mayormente esto es lo mismo, se ve igual
y siempre yo lo catalogizo como un precio asesible
porque en ninguna película original te va a costar de 8 o 10 boligres
pero bueno, si se enfringe algo, no puedo decir que no se enfringe alguna ley
porque se se enfringe en realidad
es bien sabido que en tiempos de crisis la población busca el entretenimiento a toda costa
para tratar de no enloquecer
imaginemos a dos personas
ambas son felices hasta que la primera pierde su empleo
esto ocasiona un retroceso en la economía y todo se vuelve más caro para ambas
al mismo tiempo, los enfrentamientos sociales, culturales y sobre todo los políticos
estresan a esas dos personas y aún más a la que se encuentran desempleo
la solución rápida es la que encuentra la persona desempleada
al descubrir que su vecina está igual de infeliz
y que puede matar dos pájaros de un tiro al satisfacer ambas necesidades
el sustento económico y el esparcimiento
y así pues, nace la piratería
¿Cuál es tu opinión?
por los mismos problemas económicos, no solo de este país
sino en general, comprar una película original es difícil
pues es un sacrificio que no todo el mundo cuenta más que se gasta
tampoco es menos cierto que debemos dejar de desconocer la realidad
que existe en el país de que hay personas de escasos recursos
que no tienen los 70.000 hasta 120.000, los 150.000 horarios
que te puede costar una película que equivale al 10% del salario mínimo
que gana un venezolano
como no hay controles desde el punto de vista del gobierno
y tampoco hay incentivos para que haya fuentes de trabajo
entonces eso es lo que sucede
es decir, se crean ese tipo de mecanismos que además
terminan atentando contra los derechos de los autores
de quienes realizan esas horas
y también terminan atentando contra el derecho de los consumidores
de ver lo que deseamos ver con una calidad aceptable
mira, el mundo ha cambiado
hoy en día el compartir todo tipo de información gracias al internet
es algo que no se puede frenar
la compañía antifraude digital Mark Monitor
anunció en enero del 2011 que páginas web como The Pirate Bay
y Megalplot.com reciben más de 53 millones de visitas al año
sin contar las miles de descargas anuales que registran programas
P2P, como LineWire, CASA, ForthWire, entre otros
y estima que el impacto económico a nivel mundial de la piratería online
y la venta de material no autorizado
podrá alcanzar los 200 millones de dólares anuales
la piratería electrónica no es sancionada penalmente en nuestro país
también eres un pirata cuando te descargas películas por internet
Do what you want cause a pirate is free, you are a pirate
You are a pirate
The other Kirk said the following
The intellectual piracy in the external markets is deadly for the American companies
and destroys the jobs for the workers of this country
The foreign trade representative, the Kirk office,
accused Venezuela of not taking criminal action to protect the intellectual property
According to the latest official figures of the Senate in the matter of piracy
published in the year 2005, the loss of the tax rose to 50 billion
and the loss for the national industry exceeded the 500 billion bolivars of the before
In reality, the majority of the movies I have were for a blockbuster sale
I got them cheaply
The world's most famous franchise at the level of the movie clerk
with more than 25 years in the business is Blockbuster
In its stores they could rent or even buy used a large variety of original movies
in all genres and languages, by the common mode of between 10 to 20 bolivars
How much did you sell your movies, Mr. Buonero?
We have 8 bolivars
The decision of the users to put the price above the quality
made that in September 2010, the company formally presented its claim
under Chapter 11 of Protection of Kiebra against the American government
due to losses of approximately 900 million dollars
thus closing thousands of stores worldwide
and withdrawing from many of the countries in which it has operated
including Venezuela
The production lines are one as a violinist
ends up being the first, tenth or whatever
you deliver it in the Senak
because basically the Senak and the life of the cinema are like the two production houses
Once you deliver it in the Senak, the script goes to a committee
then evaluates it, sees that the production is so feasible
and then tries it
Exactly the same thing happens with the Villa del Cine
When the law of cinema was created, it was created by a thing called Fonpro Cine
I don't know if you know it, it is basically a fund
which is a pot in which all the companies that have to do with the audiovisual effect
have to put the 1% of annual billing in that fund
and that fund is exclusively to make the Venezuelan movies
In general, the Senak opens a convocatory of free guions
completely free of any subject, etc.
One as a violinist can put his guion and you have two modalities
One is simply that you have the money to have written the guion
and the other is to look for the production of the same guion
Right now making a movie is due to the order of the 35 million Bolivars
Getting 35 million Bolivars in a private company is complicated
Basically, you always have to finish by asking the State
It is a complex office, it costs a lot
and that we, as a group, we usually divide in just two stages
to put it in the can and take it out of the can
It is very difficult to put it in the can, to film it and do it
and to take it out of the can means to distribute it, to extract it and to spread it
We have a very good law that protects us from cannibalism, the exhibitor and the distributor
but that law still does not have a regulation
so it is very difficult to activate it and that it works in the best way
There is still a lot to be done
With this whole issue of the law of cinema
what you are looking for is that the rooms always have the presence of a Venezuelan movie in Cartelera
By law, they have to be protected, two weeks of minimum exhibition
After those two weeks, the movie somehow begins to compete with itself
That is to say, you have to achieve the average of the weekly room
to remain one more week
For example, I started composing that every week I finish the room
and every week after discussing the numbers, they had to put me back
and so I was 11 weeks, I left, I entered, I left, I entered
and on the way I lost the weekend, which is when more people go to the cinema
If we take into account that the promising spectator of Venezuelan movies
is that we are going to place that the movie was not very good
We are going to see from 1,500 to 30,000 spectators
1,500 is that all of Santa María is going to see a movie that I did
It is nothing, an anecdote, 1,500 was a movie that did not exist
A movie that at least went well in Taquilla, we are going to put from 150,000 spectators to 300,000
And a movie that was Taquillera, it still does not reach the million
The million reached Sequexpress and Macula, police woman
The hour is 0, it is already for the 800,000 and something
But the hour is 0, it cost 7,000 million
Now we have to see if those 7,000 million have recovered in Taquilla or not
This week we have achieved 20,000 spectators
which is a very high number for the cinema
It is very difficult for a movie to achieve that
Generally, the movies that achieve that amount of spectators in a week
It is because they have about 27, 30 copies or up to 40 copies
A Venezuelan movie comes out from a average of 16 to 20 copies
A good 16 to 20 copies, it sounds like more or less enough
We are going to place that we send one for the San Vil, one for the Recreo
One for the Millennium, one for the Transnoche
You are going to realize that with 16 copies you have not even left this in Caracas
There is nothing easy, it is so difficult, it is so complex
Sometimes you feel that you are doing the most useless effort in your life
Because you fight, you work, you try to promote, you seek, that people are interested
And it is so strong that even when you go well, you feel that you are going badly
Because it is very difficult, it is very difficult up there
You have to make too much effort, that sometimes they do not reach anywhere
The law on the right of the author, promulgated in 1993
Work together with the law on the right of the author of the commission of the Cartagena Agreement
And stipulate what?
It is protected by the rights of the authors on all works of the creative character
Whether they are literary, scientific or artistic
Any that is his genre, form of expression, merit or destiny
It is considered as works of the ingenuity of the cinematographic works
And other audiovisual works expressed by any procedure
The first thing when you write a script is to take it to the SAPI
In the SAPI they register the script and register the idea, the characters, etc.
In addition to the SAPI, they also register works
For this assistance to the users through specialists in the area
What happens with SAPI? The SAPI protects here in Venezuela
And it does not protect so much from the outside
My friends in El Eningrado, they mounted it on a website
Very little has been released in France
A French website began to sell it
And after that they came millions of pages selling it, offering it
But with what means and how I started a legal action?
It is a lie that SAPI is going to take legal action and is going to send it to Warner, for example
What happened to us with hermano
We managed to contact with some of the leaders of the world of piracy
Of the pirate divisions
On week number 6, they already had it, I managed to contact with them
They said, please don't take it, wait
I finished my exhibition window in the cinemas
And then they took it out and then I told them I'll give it to you
I'll give it to you, original
I'll give it to you so that people can see it in their house and see it well
And they told me it's good
But on week 9, it's gone
I think what bothers me the most about piracy
Is that the public is not getting close to the true quality of the work
Because they are generally stolen copies
Or made from the cinema rooms
That they are not finished films
The most unfortunate thing was that what stuck
Was what we call a offline
That is the film not ready
It wasn't the final cut
It didn't have the credits
It didn't have the music, it didn't have the sound effects
It didn't have the color correction
That is, it was a middle-end job
The faces of the devil were in cartels
And being in cartels was for the Margarita Festival
Immediately copies of the faces of the devil began to appear
And the copy says this copy belongs to the Margarita Festival
Prohibited its reproduction, etc, etc
So basically we, the directors
Are what we are putting the knife in the throat
On some side, I don't want to speculate here
With a camera on, but on some side it was colored
And that was what people saw in their homes
Which I find very painful
One is not earning money
But what one is losing is the possibility
That the national public sees the films of their best quality
That they really see the photography you made for them
The sound you made for them
Because they are only one for the viewer
In its article 339 Stipula
The one that with the goal of marketing
Has been introduced in the country and put in sale
Works of the ingenious, products of any industry
With names, brands or distinctive signs
Falsified or altered
Or with names, brands or distinctive signs
Capable to induce in error
To the buyer regarding their origin or quality
Will be punished with prison
From one to twelve months
Obviously they won't cut it
If they are good people, they are people who don't cut the law
They are people who are there to live
Here, inside these places
That are inside the university
You have signed a contract with the university
And then that contract
In that contract
If you are stipulated
That you have to pay a lot of money
It's like a rent
And that business keeps us safe
Relatively
But yes, they have presented certain inconveniences
You know, in terms of when they say
That we are selling piracy
And this is mostly
Tidactical material for the student
And they don't give a damn
But people don't like this anymore
Pay attention to how
Certain movies are saved from piracy
Pure jewels are not considered piracy
And I know the director
Pure jewels and he tells me
That they have negotiated with him
To pirate it
And we have negotiated
We give you so many millions
To be able to pirate it
Piracy is one of the channels
Of distribution and distribution
That makes people
Who don't go to the movies
What happens is that there are many people
Who do go to the movies
And they buy piracy
At some point they want to be filmmakers
Or social communication
It's a challenge to
To take the step of the cinema
And it bothers me that
The masters that piracy
Is the only way to know national production
There is a movie
It lasted two weeks
After those two weeks
There is no way to watch the movie
We have a tacit agreement
That the Venezuelan movie
That goes to the wheel
We bought it a year later
To support the Venezuelan cinema
There is no such culture
I'm going to support the national cinema
And I'm going to buy it original
There is no such thing
They left it running
There are no legal channels
To avoid piracy
You can't regulate the internet
One day someone has a movie
And the next day 10 people have it
20 people, 30 people
And when you have it, you have a virus
You can't reach 3 million people
Or 50,000 to 300,000 people
Who have this kind of business
And it's been established
To tell them, look, I know what the business is
Let's see what they do now
We would like to stop working here
We are in an obligation with ourselves
And well
There is something that has to be done
What is something in which everyone collaborates
Despite the criticism
There is always a dual moral
That you are the piracy
But I'm going to buy the film
This is a little bit strong
But the Venezuelan
Is corrupt
So one is always used to the ease
Of the piracy and all that
Everyone knows it's bad
Still
The experience of watching a movie in the cinema
Is not
Compared to watching a TV
Or watching a computer
I'm not thinking about the amount of money
That I'm going to receive
For the exhibition
That has never happened to me
If I think about money, I'm telling you
The cinema doesn't work as a business
They don't do it for
As they say, for love of art
The piracy today is a little bit unnecessary
I'm also a consumer
I'm a public
So I do not consume
I have to look for art where I go
And you know
There is no option
Music
Look, I saw
Movies of all kinds
Until I worked in cinema
And I saw the trick of how the films are made
That is a little disappointed
Why?
How they place the Tricky Tracks
And how they put the war trucks
How they put the gas
And make them explode
How they put the Tricky Tracks
Under the ground
It's a matter of children
But when you are
In that
In that area
And you can see it with your own eyes
You can see it with your own eyes
You disappoint a little
Because you see how easy
The Tricky Tracks
The person who made
The Tricky Tracks was for Caracas
We were there for Maturín
He was there for four weeks
So he had to stop the movie
Because the Tricky Tracks
Had to be the same as she did
Well, all these films
Make you like
See films
Like
Anyway
They are always interesting
And you always have to see
I have 22 introductions
To 22 careers
Ah
Ah, it was a translator
In three languages
Stelvio Masi
Danilo Masi were the Italian directors
For the PAP
Productions of Rome
The actors
They were English, the three
And the rest of the staff
Were Venezuelan
So, once
A commission of counterintelligence
Of former Venezuelan police
He approached the place
Where we filmed
And one of them
Made this comment
You are the engine
That moves this movie
Of course, I had to be
In
In the three points at the same time
Amen and glory
What's your name?
Humberto José
Thank you for watching!
