I'm the new world of the Mastro-Roller Association.
It's legal.
I've been a roller since 1999.
We discovered the roller with Acro-Roller.
It's the first association of Acro-Roller.
It was created by Baba Perugia.
I've been here since I was a kid.
I've loved the extreme sports.
The bike, all that.
Everything that rolls.
I'm a roller-roller.
I wouldn't say I've chosen the roller.
We have Slalom, Speed Slalom and Freestyle Slalom.
We have Deton-Chevres, Crem-Plan.
We also have 2 disciplines, Freestyle Jump and High Jump.
We also have the descent, Dakar and High Jump.
You can clean around the world.
You can clean around the world.
But if you want to feel, it just takes time.
And you can go up to the moon.
But if you want something to change, you gotta train your ride.
And save yourself.
It just takes time.
It just takes time.
It just takes time.
All the way on time.
And so we'll leave the moon.
Leave it to the night.
And that's alright.
Because before the morning comes,
there's a certain calm.
And in there is light.
It just takes time.
It just takes time.
And you can trust in your ride.
You can change your ride.
It just takes time.
The G-Roller is an event that we come back every year.
And it's for the other riders of the world.
Yes, we avoided the fever.
It was cool.
There was Fabrice with the Canadian Airways.
He put the fire on me.
And there was Stéphane Joe on the tram.
He made incredible rotations.
It was really great.
And yes, I want to thank you for that.
We did a demonstration on the day of the festival.
An aggressive roller.
It was the first one in Senegal.
Senegalese really liked it.
And it was incredible.
It was for the first time that we came back to Senegal.
We did things like that.
It was really impressive.
Now, I say to myself,
I'm the first rider of the aggressive roller.
Thanks to you.
And now,
it's just the beginning.
I want to buy you something.
I want to buy you something.
And if I had a car,
I would trade in my car.
If I had a gun,
I would trade in my gun.
Honey, we ran from the country road,
we rushed to the city.
And now there's nothing to be done.
There's nothing to be done.
There's nothing to be done.
There's nothing to be done.
There's nothing to be done.
I want to buy you something.
But I don't have anybody.
I don't have anybody.
I want to buy you something.
But I don't have anybody.
I don't have anybody.
There's nothing to be done.
There's nothing to be done.
There's nothing to be done.
There's nothing.
There's nothing to be done.
Yes, the roller also is a means of transport here for us in Senegal, and it also allows
us to earn money. For example, the companies they sign with us, we go to the
fairs for them, and for that we pay for that, and we use this money to buy rollers,
protections, and to be as updated as possible.
Yes, for us, how did you find Senegal? Did you like it a lot? What did you like the most?
Well, Senegal was a discovery, it was the first time I came here. In fact,
we didn't know if we were going to make a lot of rollers or not at all, we asked ourselves
the question, will we only do rollers during the G-Roller, or will we do it more often?
And in fact, I joined what you said before, that the roller is really a means of transport
on the whole. Then, the disciplines that are practiced here are really great, because
seeing high jumps, you can do jumps at 2.70 meters, 2.80 meters, with an incline plan of 60 or 70
centimeters, it's just incredible, by doing impressive figures, we have learned
one or two, the Zulu, the Fakizulu, the kind of things, it's just great, because you have to
be flexible, it's really about the whole technique, that we European
we don't have at all, that's what makes us more competitive, the aggressive roller,
or other types of rollers, and there, with Joe and Stefan, we rediscover a new
way of doing rollers, and it's really great, it reminds a little of the roller in the
90's in Osan, where you also had high jump demos, dry jumps, but with a lot less style,
it was much more, how do you say, brutal than we were. So the discovery of Maestro Roller
was very interesting, because the skaters are relatively solid between them, I don't know
if you are a hundred skaters in Maestro Roller, and I think we all saw them, we
made the knowledge of everyone, it's really something great.
I knew right then that she would do nothing
I knew right then that I would be taking her heart
I knew right then that I'd never love her
But the reason to hold no dream was who will start the storm
You told me to walk cause I really love you
Tomorrow when you let me leave, I'll leave you
You broke my heart cause I really love you
You told me to walk cause I really love you
You broke my heart cause I really love you
You told me to walk cause I really love you
Tomorrow when you let me leave, I'll leave you
You broke my heart cause I really love you
You broke my heart cause I really love you
You broke my heart cause I really love you
Thank you Maestro Roller, all the Rollers of Dakar, all the Rollers of Senegal
Thank you Auma, thank you Tami Tieu, thank you
And see you next year!
