The 168 has officially started.
I really like this spot.
This is really good.
This looks really cinematic.
I really like it a lot.
You know, I'm the first AT and it always happens that I end up doing something, you
know, we get thrown in.
I have a whole page of dialogue this time.
Well, seat 13, take one, Mark, and camera set, action, 23, 9, 7, 6, 3, 2, 1, go.
Yeah, I understand, I'm rounding up.
So what is the 1080?
Are you getting this on film, our ignorance of filmmaking?
Technology is wonderful.
What is he pointing at me?
It looks like a ray gun, it's frightening.
Action.
How'd I do that?
My role was to be a production assistant.
Well, as it turns out, it entails a wide variety of tasks, some shopping, and quite a bit more
running up and down hills than I expected.
And then when he goes, there it is, you can swing over like this, and then he comes in
the shot.
Is that your bird?
We will fix it in post.
Beautiful dip.
It was actually lovely.
Great sound for us.
Yeah, the sound was awesome.
Sorry, I can't.
Here you go.
I don't have my headphones on.
So when I come across like this, bam, it's going to be just a swipe like that.
Look in the punch.
We're great.
It looks wonderful here.
It looks good.
Oh, baby.
It ain't working.
He's getting it.
Here you go.
Happy birthday to me.
We'll see you at eight.
Nearly two in one take.
On the last one, we went six takes.
So that's like 12 today.
And then we did some on Friday.
So I'd say somewhere around 24, thank yous.
Go over.
Need a wardrobe trailer.
I don't even think I should say this out loud.
I wind up on the cutting room floor for this thing.
I know it.
It happens every time.
Fred, man, look, look, look, look.
You're my agent, right? You're my agent.
What am I doing out here with these people, man?
Everybody wants to be, everybody wants the richest guy,
richest guy in the universe to be their father.
Everybody in the world wants to be the richest.
We can fix that in post.
No.
How about a 20?
I can't tell who to cook with in my mind.
Small, small, small.
Let's try it this way.
Dainty, little hot.
That was good.
Look, I'm not doing this anymore.
I don't care. I love Jesus.
I love him, but is there a problem?
No, um, Fred, I love the Lord, the Lord.
He saved my life and I'm going to do whatever I got to do for him.
Praise the Lord. God bless you, man. I appreciate that.
Appreciate that. I really do.
Get me out of here, man. I'm telling you, send a car now.
Okay, so the acquiring of the studio tour bus was quite a feat.
I was able to negotiate that, the timing, the dollar amount,
and the location for very little, like, on the fly.
It's been awesome. God came through big time
and it was a major blessing, so the tour bus is phenomenal.
You'll see it in the film. Go watch it.
Electric, electric, electric.
You all right?
Dude, I just got snapped by an old man.
I understand. I'm sorry.
Is this tour running late?
It's...
Originally, I was called out to do boom operation.
I was helping out Andrew, the sound guy,
and now I'm playing the role as a Tom Cruise,
a mistaken lookalike.
I don't know, man.
I have to find a way to get inside.
If I don't get this money, I am dead,
and that's the wrong line.
If I don't get this money, I'm dead.
You know, like, bad. I'm dead.
Like, I'm a gangster dead. You see me?
I did the gangster move. I don't know why I did that.
That was so stupid.
All I need is 20 grand.
That's nothing to a big Hollywood view.
