You
She started my career. I was already a choreographer, I accompanied groups, I already did TV, I have the feeling that I have always been blessed in my career.
We can find a trigger element from the first album. The first album came out in 1986, we prepare it in 1985, and it's the album Tambou.
At that time, the album had a real success. There are not many women who dared to start in music because it was a risky job, and parents did not allow young women to start.
I think that there was this period with Cassavre, with Jocelyn Béhoit, and I remember this famous song by Marie-José Alli, it really boosted me. We really had the chance to make this album with the team that accompanied me, and then second, third.
That's why I have trouble talking about it, because for me it's a continuity, and it starts at the age of 9.
The time of my solo career, we had a lot of time, all my travels at the time with Zouk Machine, we were still part of Africa.
I was able to hire beautiful people, I will not go into the details politically, but I had the chance to hire 100 carats, I had the chance to hire ministers and people like that in Africa, African artists like Fela.
I think that I am still one of those who, as an artist, had the chance to know music at the time where it lived, where it was a real job. It is still there today, but we have become, when we make music, we think commercial first.
Before, we thought about removing a color, an energy, a set of things, so I had this chance to know music like that. So there was this time, Africa with Zouk Machine, there was another time, my first show in 2000 for my 15 years of career.
There was also another time for all the Olympians that I was able to do, the three Olympians met me with Johnny Alidé, with Francis Cabrel, I was able to participate in some TV series, but it's been a long time, it was the Bled des Flancs-Boyants, but I also had the opportunity to participate in a teléfilme with Valérie Maires, Daniel Mosman, it was a beautiful teléfilme.
I had to know all of that, so I am very happy to have done it, and then I met international artists like that, it didn't seem to me, I did the first part of Michel Sardau, I played in a team around the blues with talented, French, American artists.
I have a lot of time in my career that feeds me and that allows me today to arrive with my wealth, with my culture, with my heritage that comes from Guadeloupe 1, to be who I am today.
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Yeah, just on tip-on, c'est poulot
Son gesto, là, j'ai yo messier
Yeah, just on tip-on, dresse poulot
The sun rises high and原».
