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I suppose the word is placemaking, you know the Deppin project is creating a place for
the community to have an influence on what the final development here the Deppin project will become. So all of these events and activities and working with artists to
redesign the carriage is just more representation
So all of these things will be integrated in the long-term vision
So what will happen is we're informing that development is almost a seamless transition from one stage to the next
So the Deppin project is about regeneration and the regeneration of Deppin which is already a very vibrant
Creative community at the heart and soul of where the Deppin project is positioned
So the next stage where we're at now is working with Higgins and Hurston obviously their very
Illustration based and what they've produced has been you know, it's beautiful very much in line with what we're
It's about a city in a landscape and that's very much what represents the project very well. I
Start drawing when I was a very young age and that's the only thing
I'm only good at to be honest, especially in the student periods. Yeah, and I
didn't do very well in
Junior high and high school because Taiwan's education system is
really one way to do your academic stuff and never good at it and
After high school I came to
England to start English first and then apply a Central Samaritans and then just naturally I
Applied graphic design. So I've been trained as a graphic designer for four years
Yeah, but I was very into drawings all the time
Yeah
Or as soon as we spoke to Rebecca
We got really really excited at the idea of making a comment on the fact that we have got a really big train carriage
That most people I think would associate with graffiti and we wanted to do something
Slightly different. So it's quite nice that we've taken the urban environment
We've actually put that city on the train rather than the train being you know within the city
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