Thank you.
Please rise tomorrow.
Thank you for you time.
VIXEN
of great operas such as Traviata, Carmen, La Flute Enchantée.
And then we extracted them from the context.
We turned them a little bit.
And then we invented an original story,
so there is staging and all that,
to regroup them around Marguerite's life.
Marguerite is not a queen.
She is not the heroine of a great Greek tragedy either.
And yet it is her story that we are going to tell you about.
There is a staging and the staging is us who did it.
I have been in the theatre for years.
I have always loved staging.
I knew that working with Julie would be easy
because it is a great comedy.
And suddenly, both of us,
we managed to do something really original, I hope.
It is called the operacomique,
simply because it is the definition,
Stricto Census of an operacomique.
It is an opera where there are spoken passages and healthy passages.
So it is a little bit like the elixir between a theatre room and an opera.
It is that it is operas.
For example, we will have the catalog of Don Giovanni de Mozart
or Laire des Bijoux de Gounod.
Porgy and Bess de Gershwin.
The Salud d'Amour de Helga,
which is also a piece for orchestra,
but a version for piano, of course.
She calls her best friend, Valentin, for three hours.
She recovers all the affairs of the one who is now her ex, Hector,
and leads to the popular rescue,
which she has not already burned.
I think you are not the only woman in her life.
So we have taken the theme of love,
It's the theme of love, because it's a theme of predilection in opera.
But why do I always have to dance like that?
It's about 11 months that we work together,
that we prepare for this opera.
It's the second production that we do.
A young 15-year-old, I would say that coming to see Marguerite
could give him an idea a little different from the opera.
That the opera is not necessarily
the big ladies who scream very loudly,
that it can be very contemporary stories,
that it can be spoken even when we don't understand the lyrics.
It's really very good, even if it's not.
