موزو
موزو
موزو
موزو
خمسة عشرة يوان
موزو
خمسة عشرة يوان
خمسة عشرة يوان
Hola hey
بعد الكostatق ل 1988
أعتقد أنه كان 2 سنوات قبل أن نعرفه
هذا سيكون مرة أخرى لنا في أجل كومار دلحان
مرة أخرى
و بعد كومار دلحان
نعم، مرة أخرى
لقد أخبرت أخرى في مارج
لقد أخبرت أخرى
و كانت مرة أخرى
ليست مرة أخرى but a very short time after you came from Balkan tour
أنا سأ有人 هنا
أعل swe armor
one year after
one year after
one year after
رح كان نأكد walked very fast
like the last album
a spoken up manifesto
this the new one
a short cut also has a very
specific concept
tell me what has short cuts
bring damage album
مع ريزيدنس
ماذا يعني ريزيدنس؟
ريزيدنس
هل تريد أن أتحدث عن المتحدة؟
أو عن المتحدة؟
أحن لا أعرف شيئا عنها
أخبرني
حسنا
لأنني أردت المتحدة لكي تتحدث عن ريزيدنس
ريزيدنس ريزيدنس
حسنا ريزيدنس
حسنا
ما هو كل ما هو؟
ما هو المتحدة بين المتحدة والتحدث عن ريزيدنس؟
ريزيدنس ريزيدنس is a band from the US
وفي 1980s they released an album
which is called a commercial album
with 40 very very short tracks
only one minute left
and I like the idea, the album is great
and I like the idea about doing very short tracks
so basically we wanted to do some kind of project
based on the same concept
that's why we chose to do only short tracks and stuff
and that's the album, the album is 24 songs
only 2 minutes left
so this means you want to tell a lot of things in the short pan?
that's it, that's it and it's also a reflect of our
core society where everything goes fast
everyone is doing everything quickly
and we pass from subject to another very quickly
we watch TV and we change channel
everything is like that right now
especially with the new generation
and we wanted to say something about that
and then we wanted to see the reaction of the audience
with short live tracks as well
and to see whatever
what is the reaction of someone
you can hear something that is not exactly finished
very interesting for us
and you also made an M of Raphael for you
that 2 years ago when you were traveling here
in the Balkan region you had recording stuff with you?
yeah
I just brought a very small mini-disk
but that was very useful
because for example in Bosnia we met
a little girl called Lamia
and we used this voice
for the album shortcuts
and in fact we loved it
so it was a very nice moment
that was during lunch
and the little girl was just alone
just near us
and was starting to speak
in the microphone that was the first time
so she was very
and so we keep it
I have about 20 minutes
like I told you yesterday
and we keep just short moments
but we love this voice
it's very accurate
so you can hear from her
that's out of her like that
and then again as I said
it was the first time for her to speak in microphone
by the same time to hear his own voice
in the headphone
so for her it was a lot of fun
and we are very happy because
we are on tour in the Balkan right now
and we are supposed to go back to Bosnia
and to meet the new Europeans
and of course now is the first time
that you represent the shortcuts album here
but it's not your first time here
but the things that
some of the songs like you say
now have the lyrics are in Bosnia
or another one
I think you recorded with the guy
one guy from Wumini
he's not with them anymore
he's not with them
he lives in Germany right now
and he's in Munich
and he's not playing with them
but we met him in Santagena
our hometown
we recorded there
at home
and yeah it's nice
we like to name you a lot
we are going to tour with them in France
by the way
because we are on tour in France
the next month of April and May
we are going to tour together
but without Chespa again
and you have a lot of other collaborations
with jarring effects bands also
it's not called collaboration
but when you perform
you do a lot
with Heighton
we have a lot of shows together
mostly in France
and about Heighton
we just done two remixes
from the song
and this thing called dub box
with a whole bunch of remixes
various dub artists from the world
international also
like emissions
and we are very happy
we told that with Heighton
and all our
track effect artists
we are getting along
quite well with them
so it's always a pleasure to see them
on the road
is it still for you
because if I listen short cuts
compared to the album before
it's not really
anymore
this whole album is not really a dub feeling
that I would have to say
this band is a dub band
we cannot really
we don't have this tag
on your name anymore
this is an electro dub from France
yet it is but
do you want
to make
this change
to not be
put in a box
and they say
this is this
I am not thinking about this
when we create something
we just do what we feel to do
if you ask me
it was already the case
with the former album
because it was already something
not really dub
but some kind of mix
the different influence
of our own cultures
what we used to listen
were younger
half and me
I don't know if it's dub or not
sometimes it is
especially you're right
this short cut album
this is not a dub album
but then again
when we play this song live
totally different
but the live version
of this short cut is not
two minute songs
you make extended
one of them is
9 minutes
so it's different
it's more based on energy
and feeling
the audience
confrontation with the crowd
which is very different
since the beginning it's like that for us
our album are quite
on the hunt
and very calm
our atmospheres
the live are very different
energy
it's something more like
not really
but did you make
all the vocal recordings
for short cuts just like that
by the way with
people you meet
or like the girl in Bosnia on the street
was it happening like that
just
at hawk
just by coincidence
no no no sometimes
in mind this
meeting we had with this guy in Poland
a local promoter
we went touring there
and we are still in touch with him
and we wanted
a polish
of Hong Kong and we just asked him
by the internet to do it
because we didn't have by this time the opportunity
to go back to Poland
well then back to Poland in a few words
and he just sent
the voice already recorded
so
sometimes we did it
on the road just like that
sometimes not
and what is the difference between audiences
is there any difference between
French audience and when you come to here
to Balkan
it's like do people understand
okay they don't really understand now
but after time do they want to understand
the girl that is
on the song
that's when we did the first time in Balkans
we released the song
so we don't know
of course I need to understand
I don't know
I can tell you it's tonight
I don't know about that
but if you understand the words
it shows
it's different
I think it's the same for
for us in France
when something in French
like the last song
in the album
it reacts
and I think it's the same
if people here
in Ljubljana can understand
words of
little girl for example
and there is also some kids
like there will be one
school yard or something
yeah this recording came from India
a friend of us went there
and spent 6 months
and he recorded
not tons of
instruments
not just atmospheres
and he just gave us
his own collection of samples
so we used it
and the first touch is
children recording
and the thing is
do you start to produce the song
with the sample first
and then on the sample you'll make
the rhythmic structure and the bass
or do you make the
it doesn't really
because some samples
when I listen
they cannot do it
without making first the sample
and then playing because it will be so hard
to hear the rhythm of the sample
I don't know if you understand
what I mean yet sometimes you have what
how they did this sample
to fit inside of this song
so it fits but it's
totally arrhythmic in the beginning
but then it fits in
I don't know I'm not even sure to remember
which track
what was the process of creation
I'm not sure
we are just searching for
as soon as it
as soon as the feeling is there
it's done
but we are dealing with
tons of samples
before choosing
the right one that we like
it's
a thousand of things
that we listen and select
but ok this song is good
and 10 minutes
or 1 hour or 2 hour or 2 day
we are already fed up
which is another one
which is a way
so let's do it
منذ
خمسة عشر يوم
منذ
خمسة عشر يوم
أبنتي
خمسة عشر يوم
أبنتي
خمسة عشر
خمسة عشر يوم
أبنتي
خمسة عشر يوم
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أبنتي
أБنتي
أبنتي
أبنتي
أبنتي
أبي
لأنك تحتاج إلى المخيطات لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة لديك مخيطة او ما
لقد كنت أستطيع أن ألعب الموسيقى قبل
أعتقد أنه أكوز لكتاب كتاب
كثيرا من الموسيقى
ماذا كانت قبل أنك تقوم بعمل الموسيقى؟
ماذا كانت تقوم بعمل الموسيقى؟
هل كانت تقوم بعمل الموسيقى؟
في الحقيقة كانت تقوم بعمل الموسيقى
لأنها كانت تقوم بعمل الموسيقى
لقد أقوم بعمل الموسيقى
ولكن لم يكن هناك شيء
لقد كانت تقوم بعمل الموسيقى
لذا
هذا هو
أول الموسيقى
وماذا يوجد في فرنسيا؟
حسنا، إذا كنت أتحدث عن موسيقى
وماذا تقوم بعمل الموسيقى؟
لأنه يوجد موسيقى
نعم
أنت موسيقى في فرنسيا؟
لا أعلم كيف أتحدث عن موسيقى
لأنني أتعلم عن موسيقى
لأنها موسيقى
موسيقى لكي تقوم بعمل الموسيقى؟
لكي تقوم بعمل الموسيقى
يمكنك أن تقوم بعمل الموسيقى
لأنه يوجد الكثير من الموسيقى
لأنه يوجد الكثير من الموسيقى
في هذا المكان
لذا
لا أعلم كيف أتحدث عن موسيقى
لأننا نقوم بعمل الموسيقى
وماذا نعلم about
لا أعلم بعمل الموسيقى
وماذا نريد أن نفعل
ما نفعل
عندما نفعل
ونحن نتحدث عن ما يفعل
وأنه يوجد الكثير من الموسيقى
ونحن نتحدث عن ما نحب
لذا أنت تقوم بعمل الموسيقى
وماذا تقوم بعمل الموسيقى؟
لذا أنت تقوم بعمل الموسيقى
ونحن نتحدث عن ما يفعل
وقت تحديد جدا
ما هي الموسيقى الموسيقى؟
وماذا تقوم بعمل الموسيقى؟
وماذا تقوم بعمل الموسيقى؟
وماذا تقوم بعمل الموسيقى؟
لقد نحن نتحدث عن الموسيقى
وماذا تقوم بعمل الموسيقى؟
لقد نحن نتحدث عن الموسيقى
وماذا تقوم بعمل الموسيقى؟
وماذا تقوم بعمل الموسيقى؟
نعم, لقد نحن نحن لنحين
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
لننساعد tune
مجرد
خبتك لك في كل فيديو
نعم, أحب to be here
see you very, very soon
tonight
ما يمكن الإحبار من tonight
لا أعلم، أعتقد أنه يبدوا أنهم قد رأيتنا على محاولة أو لا.
إذا كانوا قد رأيتنا على محاولة، يجب أن يكونوا أخباراً على محاولة.
كما يمكننا أن نرى أن نرى أنها محاولة على محاولة.
وإذا كانوا قد رأيتنا على محاولة ثلاثة سنوات أخرى.
بسيطة نفس الأمر، لكننا...
لا، ليس نفس الأمر.
لا يوجد محاولة.
وإذا كانوا قد رأيتنا على محاولة ثلاثة سنوات أخرى.
وإذا كانوا قد رأيتنا على محاولة ثلاثة سنوات أخرى.
شكرا.
شكرا.
شكرا.
