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It's a composer, we knew him, who was known, who was appreciated at the time, and then seeing and listening to his music, we understand that the story was much more complicated than the story that normally we learn on the book.
So I think it's a small part of a complex story that helps the audience to know and understand that there are also Italian composers who are not necessarily only related to Italian style, who are working abroad, such as Mario Stiaberlin, influenced by German music and especially with French music.
I was looking for an opera by Ariosti because I play the viola of love, and Ariosti was the great soloist of the viola of love in the 18th century.
So it was thanks to him that we have a certain repertoire of viola of love, and I thought the music for viola of love was magnificent.
So I said to myself that he was a famous operaist at the time, he was a friend of Handel, we know Demarche, which was an important Demarche, and so I was at the British Library to see the operas, and I fell on this score that I found in a certain way bouleverson.
The book is a book that is rarely interesting, but it is very complicated, as always the drama called Musica at that time, it is an opera series that was born,
with a spirit of fact, so it allows Ariosti to develop a palette of colors and feelings.
