OAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA期fodol i'n wylfaen am chi rhyodd am y brdoros.
felly rydyn ni wedi cael ei wneud, ond rydyn ni wedi cael ei wneud.
Rydyn ni'n gwneud o'r llwyddiadau, rydyn ni'n gwneud o'r llwyddiadau.
Mae'r llwyddiadau.
Rydyn ni wedi cer collectsão.
Felly rydyn ni wedi gofyni am bodys ychwedd�� yw i'w gywir ac mae'n gwein clefiad â'r llwydri iddyn ni.
y gallwn yn ddigfynu'n rhai,
ac mae'n ddigfynu'n ddigfynu,
ond yw iawn o fe all roedd o'r teimlo yma
Ych chi na mas a y byd
mae hwyl iawn o fe
...
ydyn ni'n chael effaith gyfnwyr unsafe
talwch ryderau
Cyn ddel a gwelio.
Corker iawn yw meddwl
nifer o gyfeidlen a helping
Cysgrry
Oh
Am beres
Felly Doesn't Love a Words It's Not?
Felly I came here to do a covered version of a Dylan song, with my friend Ian, who really had two very very different influences.
I mean classical, I wasn't trained because when I got into two schools where I've got married, I had children and he wasn't a huge music fan and didn't like classical music, thought it made me depressed.
Actually made me not depressed, I mean I listened to funeral marches to make me happy actually.
Mae'r unrhyw bwysig yn y gallu am мол o'r reif er mwyn yna'r lle, yn ym 13 o 50.
Rwy'n meddwl â'u 50.
A ydych chi'n bach yn fawr?
Mae'n meddwl.
Ac rwy'n meddwl.
Rwy'n meddwl â'r lle.
Rwy'n meddwl â'r lle.
Rwy'n meddwl â'r lle.
Rwy'n meddwl â'r lle.
Rwy'n meddwl â'r lle arall.
Rwy'n meddwl â'r lle arall.
Rwy'n meddwl â'r lle arall.
A rwy'n meddwl â'r lle.
diwethaf? Because I could check it out, you know. And… but I never really thought much, I was just
I was always terrified. Of because different things have had acquire or standing up in front
of teachers and singing and playing. I mean I had an accident with my hands. Where therefore
my piano is not as good as it might have been. So I stopped for my, the lawn mower did that
I'm very lucky to have that finger, actually, but they have different lives, like two lives, sort of.
He goes, cut to ten years after and I'm living in the rafters,
Tarot cards for company and Hamlet for laughter.
And the phantoms are my friend, I would not exchange these strange days in the end.
Give it up, give it up, let's hear it for the trash man.
You were found in the trash?
Yeah, yeah, that's what I thought it was used to tell me.
Probably not. I mean, really, I don't think.
Let's go and see what we're passing.
I heard it, I went to bed, I could hear it.
Hey man, hey, take a walk on the water side.
I thought it was mainly, it was, we can have lunch outside today.
I need to speak to my agent.
Tarot, I'm just doing this because I love it, you know.
I mean, no one goes into the music industry, or actually, what am I saying?
I don't know anything about the industry, I don't know anything about the industry.
It all seems a bit of a mystery to me, I wish I did.
I mean, they all seem to clever these people.
But if you don't go into music expecting to make any money, you go in it because you love it.
And everything else is like, you know, that's great.
But if not, you know, that's tough, you know, because that's no big deal.
I'm not doing this for any other reason than this.
It's fun and I like being with the people I'm with.
I mean, you know, I've got many studios going on in here.
This is another one.
I did this with a very, very...
This is something I had to grow into.
They're all sort of the same thing, I mean, you know.
I'm in the middle of like three different albums.
I've got finished one and it's very difficult to let go of that.
It's like having post-negative depression.
Felipon!
I did so much!
How are you?
This is a new breakthrough.
Fasten your seatbelts, you're under assault.
Run, run, run.
Fast as you can.
Did you just do that?
You know, I know certain albums from back to front, you know what I mean?
But it's like, it's the experience.
And it's actually that kind of, you know, if you wanted to skip a track,
you had to pick up the needle and put it onto the next groove there.
But you know, it's like, I remember, you know, Abbey Road or something like that.
Or Sergeant, oh, you know, I'm afraid.
I think I lived in a time today because of living in Caracas.
But the biggest influences on me were Glenn Gryll and the Doors.
Oh, no!
See, guys, what's so special about us is that it's pretty bang.
Freedom exists when you lose your mind,
when you're out of control, you're out of control.
Freedom exists when you lose your mind,
when you're out of control, you're out of control.
The parts of emptiness are existentialist.
The parts of emptiness are existentialist.
It happened kind of by mistake, so I came here by mistake to do this with Ian.
And Ian didn't turn up.
And so lovely Pat, after two days of methics, thinking, sugar, what am I going to do?
He hung a mic over my face and asked him, I mean.
And that's where that no-near-of-unner of Gouldams built that from.
And then, funnily enough, I was quoting myself.
I was just having a lot of rant about how I hate reality TV shows
and how there's nothing behind celebrity or behind.
But it's like, you know, frankly, no, it's not like my mother,
but it's like, you know, turn off your TV.
It's not fantasy.
I'm an executive fantasy man. I mean, I've seen it.
It's like, what's cool this year?
It's not organic. It's nothing to do with inclusiveness.
It's just to do with money.
And if you listen to that Tom Petty album, he really nails it.
Obviously it didn't get any outplay because he says it how it is.
They just got good-looking kids with good-looking faces.
They get to be rich and they get to be famous for a second,
but then it's on to the next.
It's just ground up into a mill.
It's got nothing to do with poetry or...
I mean, if you go back to some ancient times,
I mean, music really was...
It was telling a story in minstrels.
That's a troubadour.
To me, it's got to go somewhere.
I mean, I'm not saying that I'm the sort of oracle of all oracles,
but to me, I want to follow something.
OK, so let's go for a war.
Or what?
There's no me of one or all cruel though
Executive fantasy
Dressed up as reality
I couldn't have done this on my own.
I was always singing in the forest or wherever when no one could hear me.
I didn't realise I was so loud.
Also because I wasn't allowed to sing anywhere.
I was also very ashamed.
Also, if you're singing a classical track,
you're never going to be as good as someone that's been trained.
If you're singing a...
When I hear myself singing a classical track and I'm slightly out,
because I've got, thank God, not perfect, but relative perfect picture,
I know where I'm going, doing it wrong, you know?
Sometimes when I'm putting words down and it's a thought,
and you're trying to encapsulate a feeling or something,
and you don't want to waste a line in a song,
and sometimes you're trying to nail a thought with words,
and to me sound is much more, I think language is very...
It's sort of neanderthal compared to sound,
because sound to me is universal,
and once you put a word on a sound,
that's when it all becomes a bit tricky and loaded.
There are some words that have been overused,
and they've lost meaning,
and I have fun doing some internal mimings,
but they're all very, very different.
I mean, I don't think it's going to be anybody's bag to be quite honest,
but I've had a good time doing it,
and I can't stop.
A very odd thing is that I'm very...
What I practice to normally is castrate, like brosci.
Wow.
Oh, oh, oh, oh.
Oh, oh, oh, oh.
Oh, oh, oh, oh.
Oh, oh, oh, oh.
Oh, oh, oh, oh.
You know, a record label,
I'm going to say that I haven't had to have that pressure
because I didn't mean to do this,
will send out a song to a visual plus,
and they'll try and come up with an idea.
That they did with Evening in Space.
Precisely, and I didn't think he would...
I was thinking, you like this track?
This is very, very odd, you know,
because he was someone who never wanted to do any music video again.
And he couldn't get a better visual guy on stage.
No, really not, and you know what,
and the way he shoots is really so much fun.
I mean, I was covering him, but we always...
we always had to pick a last two, was we,
rather than two.
Well, the one is that I'm frawned by his stills,
but he also doesn't ever do stills normally,
and he did so many stills.
And also, I think there were seven or eight sets,
and he did it in three and a half weeks.
I mean, just like from...
I said yes, and then we did that,
and he just got...
and that's the level of trust,
because he's invested himself in that,
and all of his friends,
and the people that work for him,
and yes, it's a different process from Fatal 4,
because I did that on the fly,
and it was a whole different thing.
But also, I mean, Nick connecting with that track.
So, I mean, you know, whether...
my mission is to get sound and vision undivorced,
because I think that, you know,
at the moment you've got sound,
people go to see a show, or see music.
I think it's an auditory, I may be wrong,
but I think it's obviously...
I think they need to be undivorced,
because something happened.
It seems to be the bigger the visual
to cover up the sort of, like, the kind of monopoly.
I mean, yeah.
But also, I mean, you know,
I think people have come to expect,
you know, you've got to have this, that, and the other.
In fact, I mean, I've said it before,
I go to...
I want to go to any old sleazy joint
and just have a nice time.
I don't mind, you know,
I sang in cafes when I was a teenager,
and people were, you know, when I was needed to.
And I don't mind if I'm singing to one waiter,
as long as you're with your band
and having a nice time.
It's not about being famous or something.
That's the least good part.
I mean, not that I am, thank goodness.
But I mean, I can't...
That's isolating and horrible.
The thing about music is it's much less isolating
than anything else.
The love is a sort of deadly nightshade.
It makes your eyes bright,
intrigues, defies, shunts,
shifts in time,
love divine,
love divine.
All I aim to do is carry on being in the process,
because that means I don't have to kind of deal with any...
I think a lot of people just want you to actually
finish something, wrap it up in a little bow
and present it so that they can enjoy it.
I think...
I have been called selfish,
and you have to try this with the world,
and I don't think the world doesn't care that much about me.
It is good, though.
I'm happy with it,
and I wasn't happy with...
I'm so self-critical.
I beat myself up all the time about tones,
and I'm probably too tough on myself about things,
but they're good enough for me.
That's why I love music,
is because you can connect with people on a very real level.
In music, we're all the same,
in sound, we're all the same.
It's about everybody being the same in sound, you know?
Rather than it being about either money, class, race, religion,
or anything else.
I mean, you either in the moment or you're not.
It's the last level of society, I think.
When you do things like that.
When you smile on my insides, just cry.
For the light.
Why am I a driver?
To learn about you.
It's only love and love.
I try the naming in space,
and I feel like a failure.
Or the ecstasy in a parallel reality.
I start living in space, man.
You're on your face, man.
Though you're next to me, you're someone I can focus on.
And in the unified field,
liquid, deep space, cosmoses,
no gravity, no vanity, delusion,
the planetary insanity.
Whoever you are, women without grace and chaos,
there's nothing to lose.
I try the naming in space, man.
You're like an alien.
Or the ecstasy in a parallel reality.
I try the naming in space, man.
You're on your face, man.
Though you're next to me, you're someone I can focus on.
And in the unified field,
liquid, deep space, cosmoses,
no gravity, delusion,
the planetary insanity.
I try the naming in space, man.
You're on your face, man.
You're on your face, man.
You're on your face, man.
I try the naming in space, man.
You're like an alien.
Far from ecstasy in a parallel reality.
I feel free.
Exactly. Free.
Free.
Wow. Yes.
Yes.
Oh, my God. I'm recording you, Daphne.
Do you mind?
No.
Stop.
